Close to the cathedral is the semi-Moorish Alcázar, with its strangely mingled styles of architecture. The buildings are in part a fortress, while within the walls are portions of a palace of the sultans and a residence of Christian kings. The rich frontage of Pedro's palace is composite, and probably only the gate is purely Moorish. In the Court of the Maidens there is much gorgeous decoration. As in the Alhambra, we see the characteristic gallery with delicate columns, and arches with ornamental inscriptions. The Hall of the Ambassadors is the pride of the Alcázar. Here again we shall notice several orders of architecture, but the effect is impressive. The portals are sumptuous, and the whole place and decorations suggest the opulence and might of the early Catholic kings. I like the old gardens of the Alcázar, with their tiled walks, their clustering roses, their alcoves and arbours, and quaint fountains, all enclosed by an ancient wall. Here sultans dreamed, and kings retired from the cares of government, to breathe the scented air of evening. Quiet reigns in these flowery courts, only the voices of birds are heard among the orange-trees and tangled roses. There are many beautifully adorned chambers in this palace of delight. Alfonso, Pedro, Isabel, Charles, and Philip all reconstructed or added to the wonderful pile first erected by Yusuf. The old buildings once stretched to the river, the Golden Tower forming one of the defences. Before the Moors came to Seville, a Roman prætorium stood on this ground, and it was in 1181 that the Morisco architects began to plan the Alcázar. Much of the present building is of Mudéjar, or late Moorish, origin. The details that should be studied are the pillared windows, the marble columns, the fine stalactite frieze, the arches, the azulejos of dazzling colour, the choice decoration of the doors, the marble pavements, and the half-orange domes--all representative of the art of the Mudéjares. We must now inspect some more of the monuments of Seville. King Pedro's Church, Omnium Sanctorium, is an example of mixed Christian and Mohammedan architecture, with a minaret and three portals. The Ayuntamiento is an exceedingly flamboyant building in the Plaza de la Constitucion, with two façades, one of them fronting the Plaza de San Fernando. The older and finer front was designed by Riaño. The Archbishop's Palace, which dates from the seventeenth century, is not a good example of the plateresque style. The only picture in Seville by Velazquez, a much restored canvas, is in the palace. The Lonja (Exchange) was built by Philip II., and finished about 1598. It is a square, imposing structure, but scarcely beautiful in form or decoration. A splendid doorway, very luxuriantly decorated, is that of the Palace of San Telmo, where there are very lovely gardens.