Bars (Drinking establishments) -- England; England -- Social life and customs; Hotels -- England; Taverns (Inns) -- England
Semi-religious signs such as the _Angel_, _Star_ and _Mitre_ are not
always monastic, nor need they imply pre-reformation origin. The Angel at
Islington is, comparatively speaking, a mushroom upstart. Under the sign
of the _Angel_, Jacobs, a Jew, opened in 1650 one of the first
coffee-houses in the parish of St. Peter, Oxford. A pious Roundhead might
find chapter and verse for the sign and gloat over the conceit of
entertaining an Angel--perhaps not unawares. Puritan sects have been known
to give the official title of “Angel” to their itinerant preachers. The
_Cock Tavern_, in Fleet Street, in spite of the splendid gilt chanticleer
(generally attributed to Grinling Gibbons) has no connection with St.
Peter. An advertisement, printed in the _Intelligence_ of 1665, shows
that its old name was the _Cock and Bottle_. Cock is still used in some
parts of the country for the spigot, or tap in a barrel; and the sign was
simply a short way of informing the bibulous that they could obtain here
ale both on draught and in bottle.
A monastic inn far exceeding in world-wide fame all others, is that
_Tabard Inn_ in the Borough, whence five hundred years ago thirty merry
pilgrims set forth on a springtide morning on their three days’ journey
along the old Watling Street to Canterbury. The _Tabard_ was a speculation
of the Abbot of Hyde, Winchester, and no doubt a profitable one, for its
landlords were always men of character and substance who would attract
guests of good class. Harry Bailey, Chaucer’s friend, represented
Southwark in two successive parliaments, and another landlord, William
Rutton, sat in Parliament for East Grinstead in 1529. Built in 1307,
together with a hostel for the clergy of the monastery, it remained in
much the same condition as when Chaucer sang its praises until about 1602.
The stone-coloured wooden gallery, in front of which hung a picture of the
Canterbury Pilgrimage, attributed to Blake, and the so-called “Pilgrim’s
room” were probably of this period; the rest was rebuilt after the great
fire of Southwark, 1676. Twenty years ago all was demolished, and a
gin-shop on its site of modern, vulgar red-brick mock gothic absurdly
claims the title of “_The Old Tabard_.”
Public-domain text, read in full here on John Shaqi.
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