Country life -- England; England -- Social life and customs; Gentry -- England
In the paintings of Herculaneum we see the representations of gardens;
they are square enclosures, formed by trellis-work and espaliers, and
regularly ornamented with vases, fountains, and statues, elegantly
symmetrical. Now this arrangement of a garden continued in Italy. It
never changed, and the villa gardens in and about Rome to this day
reproduce the plans and character of those that flourished there in the
classic age.
The villa-gardens in and about Rome! I cannot write the words
without an ache of heart, for I know that they are disappearing
rapidly, inevitably. Along the Via Salaria I saw three in process of
destruction during the late winter and spring of 1889. A great slice
of the Borghese grounds is being devastated to make room for hideous
streets and squares. The Wolkonski gardens have been curtailed; those
of Villa Massimo Arsoli adjoining, almost destroyed and built over;
the Rospigliosi gardens gone; others doomed; the glorious Ludovisi
gardens, with their cypresses and ilexes towering above the closed
Porta Pinciana and the ancient boundary wall, are in process of
extermination. "The grounds, which were of an extent extraordinary when
considered as being within the walls of a capital, were laid out by
Le Nôtre, and were in the stiff French style of high-clipped hedges,
and avenues adorned with vases and sarcophagi. With the fury against
trees which characterizes Italians, all the magnificent ilexes and
cypresses were cut down as soon as the land was secured, and the plots
of building-land rendered altogether hideous and undesirable. In a
few years not a trace will remain of the picturesque glories of this
once noble villa, which, if acquired by the municipality, who refused
to purchase it, might have been made into public gardens of beauty
unrivalled in any European capital."[4]
The railway station, with its sheds and sidings, occupies the once
matchless gardens of the Villa Massimo Negroni, celebrated for its
exquisite cypress avenues and its stately terrace, lined with ancient
orange-trees and noble sarcophagi. The ground was confiscated by the
State, and the destruction of this fair scene broke the heart of the
owner, Prince Massimo. The sweet gardens of the Villa Strozzi are
gone, now built over with ugly houses. Outside the Porta Pia grand old
gardens are being devastated also.
Public-domain text, read in full here on John Shaqi.
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