Old Court Life in France, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 1/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
love, and of bitter hate; his marriage with his cousin Suzanne, lately
dead, had been altogether a political alliance to bring him royal
kindred, wealth, and power. Suzanne had failed to interest his heart. It
is said that another passion has long engaged him. Francis may have some
hint as to who the lady is, and may resent Bourbon’s presumption. At all
events, the Constable is no favourite with the King. He dislikes his
_fanfaronnade_ and haughty address. He loves not either to see a subject
of his own age so powerful and so magnificent; it trenches too much on
his own prerogatives of success. Besides, as lads, Bourbon and Francis
had quarrelled at a game of _maille_. The King had challenged Bourbon
but had never fought him, and Bourbon resented this refusal as an
affront to his honour.
The Constable, mounted on a splendid charger, with housings of black
velvet, and attended by a brilliant suite, gallops into the courtyard.
His fine person is set off by a rich surcoat, worn over a suit of gilded
armour. He wears a red and white _panache_ in his helmet, and his sword
and dagger are thickly incrusted with diamonds.
At the top of the grand staircase are posted one hundred archers, royal
pages conduct the Constable through the range of state apartments.
The King receives Bourbon in the great gallery hung with tapestry. He is
seated on a chair of state, ornamented with elaborate carving, on which
the arms of France are in high relief. This chair is placed on a raised
floor, or dais, covered with a carpet. Beside him stands the grand
master of the ceremonies, who introduces the Constable to the King.
Francis, who inclines his head and raises his cap for an instant, is
courteous but cold. Marguerite d’Alençon is present; like Bourbon, she
is unhappily mated. The Duc d’Alençon is, physically and mentally, her
inferior. When the Constable salutes the King, Marguerite stands apart.
Conscious that her brother’s eyes read her thoughts, she blushes deeply
and averts her face. Bourbon advances to the spot where she is seated in
the recess of an oriel window. He bows low before her; Marguerite rises,
and offers him her hand. Their eyes meet. There is no disguise in the
passionate glance of the Constable; Marguerite, confused and
embarrassed, turns away.
“Has your highness no word of kindness for your kinsman?” says the
Constable, in a low voice.
“You know, cousin, your interests are ever dear to me,” replies she, in
the same tone; then, curtseying deeply to the King, she takes the arm of
her husband, M. d’Alençon, who was killing flies at the window, and
leaves the gallery.
“_Diable!_” says Francis to his confidant, Claude de Guise, in an
undertone; “My sister is scarcely civil to the Constable. Did you
observe, she hardly answered him? All the better. It will teach Bourbon
humility, and not to look too high for a mate.”
“Yet her highness pleaded eagerly with your Majesty for his
advancement.”
Public-domain text, read in full here on John Shaqi.
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