Old Court Life in France, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 1/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
Even that witty heretic, Rabelais, found both an appreciative protector
and intelligent friend in a sovereign superior to the prejudices of his
age. With learning, poetry, wit, and intellect, come luxury and
boundless extravagance. Brantôme speaks as with bated breath of the
royal expenditure. These are the days of broad sombrero hats fringed
with gold and looped up with priceless jewels and feathers; of
embroidered cloaks in costly stuffs--heavy with gold or silver
embroidery--hung over the shoulder; of slashed hose and richly chased
rapiers; of garments of cloth-of-gold, embroidered with armorial
bearings in jewels; of satin justaucorps covered with rivières of
diamonds, emeralds, and oriental pearls; of torsades and collars wherein
gold is but the foil to priceless gems. The ladies wear Eastern silks
and golden tissues, with trimmings of rare furs; wide sleeves and
Spanish fardingales, sparkling coifs and jewelled nets, with glittering
veils. They ride in ponderous coaches covered with carving and gilding,
or on horses whose pedigrees are as undoubted as their own, covered with
velvet housings and with silken nets woven with jewels, their manes
plaited with gold and precious stones. But these illustrious ladies
consider gloves a royal luxury, and are weak in respect of stockings.
Foremost in every gorgeous mode is Francis. He wears rich Genoa velvets,
and affects bright colours--rose and sky-blue. A Spanish hat is on his
head, turned up with a white plume, fastened to an aigrette of rubies,
with a golden salamander his device, signifying, “I am nourished and I
die in fire” (“Je me nourris et je meurs dans le feu”).
How well we know his dissipated though distinguished features, as
portrayed by Titian! His long nose, small eyes, broad cheeks, and
cynical mouth. He moves with careless grace, as one who would say, “_Que
m’importe?_ I am King of France; nought comes amiss to me.”
Now he walks up and down the council-room in the Louvre which looks
towards the river. His step is quick and agitated, his face wears an
unusual frown. He calls Bonnivet to him and addresses him in a low
voice, while the other nobles stand back.
“Am I to believe that Bourbon has not merely rebelled against me, but
that the traitor has fled into Spain and made terms with Charles?”
“Your Majesty’s information is precise.”
“What was the manner of his flight?”
“The Duke, Sire, waited at his fortress of Chantelle until the arrival
of Monsieur de Pompérant from your Majesty’s Court at Chambord, feigning
sickness and remaining shut up within his apartments. After Monsieur de
Pompérant’s arrival, a litter was ordered to await his pleasure, and De
Pompérant, dressed in the clothes of the Duke and with his face
concealed by a hood, was carried into the litter, which started for
Moulins, travelling slowly. Meanwhile Bourbon, accompanied by a band of
gentlemen, was galloping on the road to the frontier. He was last seen
at Saint-Jean de Luz, in the Pyrenees.”
Public-domain text, read in full here on John Shaqi.
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