Old Court Life in France, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 1/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
“Cherish France, my son,” continues the King; “it is a noble nation.
They refused me nothing in my adversity, nor will they you, if you rule
them rightly. Lighten the taxes, my son,--be good to my people.”
His voice grows fainter and less distinct, his face more ashen.
The Prince, seeing his lips move, but hearing no sound, lays his ear
close to his father’s mouth.
“Commend me to Catherine, your wife; beware of the Guises; they will
strip you; they are all traitors[6]; cherish my people.” He spoke no
more.
The Prince motions to D’Angennes, and the parish priest with his
acolytes enters, bearing the Host. Speechless, but conscious, with a
look of infinite devotion, Francis receives the sacraments. Then,
turning his dying eyes towards his son, he feebly raises his hands to
bless him.
Henry, overcome by the sight of his dying father, sinks prostrate beside
the bed. D’Angennes stands at the head, supporting his dying master in
his arms; while he wipes the moisture from his forehead, Francis
expires.
CHAPTER IX.
CATHERINE DE’ MEDICI.
Catherine de’ Medici, widow of Henry II., and mother of three kings
regnant, rules France in their name. Her father, Lorenzo, Duke of
Urbino, second tyrant of Florence, died before she was born; her mother,
Madaleine de la Tour d’Auvergne (for Catherine had French blood in her
veins), died when she was born; so fatal was this Medici, even at her
birth.
The _Duchessina_, as Catherine was called, was reared by her aunt
Clarice Sforza, within the mediæval stronghold of the Medici at
Florence--now known as the Riccardi Palace. Although bereft of palisade
and towers of defence, it is still a stately pile of Italian Gothic
architecture, with pillared cortile, ornate front, and sculptured
cornice, bidding a mute defiance to the encroachments of the modern
buildings of the Via Cavour, the Corso of the City of Flowers.
Public-domain text, read in full here on John Shaqi.
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