It is evening. Anne of Austria is alone in a spacious withdrawing-room, from which her private writing-closet opens. Four lofty windows turn towards the river—one is open. She sits beside it, gazing at the dazzling tints of the summer sunset that lace the western heavens with bars of fire. In front rise the double towers of Notre-Dame. The fretted spire of the Sainte-Chapelle glistens against a bank of heavy clouds that are rapidly welling up from the south. These clouds deepen with the twilight. The lustre of a stormy sunset soon fades out. The sun disappears, and darker and denser clouds gather and thicken, and obscure the light. Low thunder rumbles in the distance, and a few heavy raindrops descend. Long shadows fall across the floor, the corners of the room grow dark, and only a few bright gleams, lingering low on the horizon, rest on the Queen's face and figure. Anne of Austria has now passed into middle life; her form is full, her movements heavy. The glorious eyes are still lustrous, but no longer flash with the fire of youth. Her hair, though still abundant, has lost its glossy brightness. Her dress is rich, her bearing cold and stately. She affects a distant, almost a haughty manner, and is severe in exacting the most rigid etiquette from all who approach her, save alone the Cardinal. He comes and goes as he lists, smiling and obsequious, but no longer humble or subservient as of yore. Indeed, at times he treats her Majesty with absolute familiarity, to the utter dismay of the Duchesse de Chevreuse and Mademoiselle de Hautefort. When not engaged with Mazarin in state affairs, or in giving audiences, the Queen passes her time in her oratory. Not only is she devout herself, but exacts at all events the same outward show of piety from her ladies. Twilight has deepened into gloom, ere the Duc de Beaufort enters. He stands in shadow, and as he glances at the Queen, he inwardly apostrophises his mother and sister as a couple of fools and gossips, for imagining him to be in any danger of her displeasure. His boisterous bearing—for he affects the manners of the lowest of the populace, the better to sway them, and by so doing to embarrass the minister—is visibly softened. He remembers with pain the insults of which he has been guilty in turning his back on the Queen, when they last met, and in refusing to receive her herald. He is both repentant and flattered at her summons. His obeisance to her is unusually low, and some tokens of emotion betray themselves on his dissipated, though handsome countenance. "Good evening, cousin," says Anne of Austria, as he enters, a gracious smile upon her face, and with that queenly grace natural to her, she presents her still beautiful hand to him, which he kisses kneeling. "Where have you been these four days past? You are a stranger at the Louvre." Her voice is sweet, her look is gentle. It is impossible that what Beaufort has heard can be true.