Old Court Life in Spain, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 1/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
Suddenly the door of the cell opens, and the stately figure of the
archbishop appears. With straight swift strides he advances to where
Wamba lies; his priestly robe drooping around him with a heavy patrician
grace, his ebon hair falling over his ample brow, a veil to the
glittering eyes beneath, which burn with an evil fire. Like a phantom he
stands over the prostrate king--his form in shadow, sombrely defined
against the window, and in an instant all the cell seems to palpitate
with life; the walls animate with the expectant eyes of monks placed
there to watch the swoon of the king--a dark and sinister background
revealed by the scanty light, in which Julianus dominates like some
wicked giant about to pounce upon his prey.
Ervig was beside him, standing with averted looks that he might not meet
the gaze of Wamba, who still lay with half closed eyes, passively
watching the movements of his enemies.
Was it to be life or death? He cared not! A chill as of death curdled
his blood. The cell whirled and a mighty darkness reeled down upon him.
Wounded to the quick, he would not even condescend to expostulate.
Before such base treachery his righteous soul revolted. They had him in
their power, let them wreak their will. His life was done, his reign
ended. Against the law under which he lay there was no appeal. Shut up
in a subterranean prison how could he communicate with any who might
dare to restore him to his throne? It was subtly planned, and by a
master mind!
Wamba is, however, the first to break silence. He heaves a deep sigh and
opens his eyes, passing his hands slowly over his face, ghastly under
the effects of the poison. “You have been a false friend to me,” he
says, addressing himself, not to the archbishop, but to the muffled
figure which stands behind him. “You have returned evil for good. In
what have I injured you?” His voice is low, but he speaks with the
calmness of one who has already passed the gates of death.
[Illustration: The Guadalquivir and Mosque, Cordova.]
“Accuse not Ervig,” answers the archbishop, in a tone of lofty command,
placing himself before Wamba, so as to fill with his ample draperies the
narrow space of light. “It is the Holy Church in my person you have
offended. As an unfaithful son you are cast out. Ervig has but done his
duty, for you, Wamba, are a recreant unfit to reign.”
“And does the duty of Ervig lead him to succeed me?” asks Wamba, raising
himself painfully from the pallet and leaning forward, so that the
outlines of his sunken features appear under the cowl.
“It does,” answers Julianus, still shielding Ervig from the glance of
contempt which shoots from the eyes of Wamba.
Public-domain text, read in full here on John Shaqi.
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