Old Court Life in Spain, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 1/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
One plaisance there was, particularly noted, on a terrace overhanging
the river, where the spires and domes of many-painted pavilions uprose,
with tile-paved _patios_, and arcades and _miradores_ open to the sky,
which Roderich had formed for Egilona, from the pattern of a Moorish
retreat she loved at Algiers. Here soft fluffy plane-trees whispered to
the breeze, violets blossomed in low damp trenches, and the blue-green
fronds of the palms cut against the sky. A garden, indeed, most
cunningly adapted to intoxicate the senses, where every tree and branch
was vocal with nightingale and thrush, the soft rhythm of _zambras_ and
flutes thrilling through the boughs from invisible orchestras; a place
in itself so lovely and so lonely that life passed by in an atmosphere
of delight, akin to the houri-haunted paradise prepared for the brave
Moslems who fall in battle. Hither came Egilona, as into the solitude of
an Eastern harem, shut out from the foot of man. Even Roderich rarely
entered to disturb her hours of innocent delight, surrounded by a band
of fair damsels, who, like Florinda, had been committed to her care.
* * * * *
It was a delicious evening after a day of fiery heat. So oppressive had
been the sun, that even the orange leaves flagged on their stems and the
song-birds were mute. In the broad plains without, the rarefied air
trembled; nothing but the sharp note of the cicala broke the silence of
mid-day.
Now the air was cool in these leafy gardens, over-hanging the river,
from which delicate
[Illustration: THE EXTERIOR OF THE GREAT MOSQUE AT CORDOVA.]
rippling gusts rose up to fan the atmosphere. The dazzling pavilions
with open galleries lay in shadow, and only a transient ray from the
setting sun lit up some detail of lace-worked panel or gilded pinnacle
into a transient flame.
On a broad terrace, from which the roofs of the city are dimmed into
vague outlines, a merry party of the queen’s maidens emerge from one of
the galleries, amid peals of that shrill and joyous laughter heard only
among the young, and running swiftly along scare the peacocks, who drop
their tails and fly into the covered avenues beyond. Some of the maidens
ensconce themselves in verdant kiosks, others wander into the
bamboo-thickets to lie on flowery banks, or wade in the shallow streams
which flow around. One delicately limbed girl, oppressed by the heat,
divests herself of the light draperies she wears, and like a playful
Nereid plunges into a pool, scattering water on her laughing companions.
One of these maidens, Zora, by name, who came from Barbary with Egilona,
is of a darker colouring than the rest. Zora can sing to the cither and
relate stories like a true Arab as she is. Now a circle of her
companions gather about her, and beg her to tell them a tale.
“But you have heard all my stories so often,” pleads poor Zora, whose
little feet are tingling with the desire of movement after the
confinement of the long hot day.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account