Old Court Life in Spain, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 1/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
“Look!” cry the maidens exultingly, “can you compare Zora with
Florinda?” And in their eagerness the giddy group tear asunder the
sheltering draperies which cling about her.
Alas! little did they know, these joyous maidens, that the fate of the
Gothic kingdom turned on the balance of their childish games, and that,
mere puppets in the hands of fate, they were destined to be the
instruments of destruction to their country!
In the gloom that precedes the setting of the sun, amid the dusky
shadows of huge-leaved plants and myrtle hedges which broke the space
into squares in every direction, Don Roderich had stolen from the
Alcazar to enjoy the evening freshness and to visit the queen. Hearing
from afar the bursts of girlish laughter, at the contest of beauty
between dark and fair, he looked out from the latticed _mirador_ of the
pavilion, and beheld the undraped form of Florinda before she could
escape from the hands of her companions.
That glance is fatal. Forgetful of the sacred pledges given to her
father, forgetful of his honour as a knight and his gratitude as a king,
a mighty passion rises within his breast. But Florinda gives no
response; his fervid glances are met with downcast eyes, and a blush
rises on her cheek as she involuntarily approaches him. This does but
serve to fan his lawless love; and so great is his infatuation he cannot
persuade himself that she does not return it. His whole soul is as a
furnace, which consumes his life. Speak to her he must, and a wicked
hope whispers it will not be in vain!
Meeting her one day, a little later, by chance in the queen’s
antechamber, he called her to him, and presented to her his hand.
“Sweet one,” says he, in a voice he can scarcely command, every pulse
within him beating tumultuously, “a thorn has sorely pricked me, can
you draw it out?”
Florinda, who unconsciously has come rather to fear him, kneels at his
feet and takes his hand in hers. At the touch of her light fingers a
tremor runs through his frame. Is this slight girl to resist the
transports that shake his being to the core, as the fury of the tempest
shakes the light leaves?
As she kneels the tresses of her auburn hair fall as a veil around her,
and blush after blush flushes her cheeks. Vainly she seeks for the thorn
in Don Roderich’s hand. In her surprise she lifts her eyes to his, which
are bent on her with ill-controlled passion; then, starting to her feet
in confusion, “My lord,” she says, retreating from where he stands
leaning against a painted pillar, his jewelled cap pressed down upon his
brows, “there is no thorn.”
She turns to go, filled with an apprehension she cannot explain, but he
catches her hand, and presses it to his heart.
“Here, here is the thorn, Florinda; will you pluck _that_ out?”
“My lord, my lord,” cries the alarmed girl, “I do not catch your
meaning.”
Public-domain text, read in full here on John Shaqi.
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