Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
Many tilts are run. The stranger knight unhorses several riders. When
called on by the herald to raise his visor he courteously declines,
rides three times round the field, displaying his colours, the Moorish
cognisance of yellow on a black ground, then vanishes through the open
gates, his black slaves after him. Many sharp blows are then exchanged
and wounds inflicted in this mimic warfare, to the delight of the king,
who rises to his feet loudly laughing and clapping his hands as the
vanquished knights are carried from the field.
[Illustration: A STREET IN TOLEDO.
From an etching by Charles A. Platt.]
Then, to the cries of _Dios y España_, four cavaliers ride forth, with
violet surcoats over their coats of mail, and run a Moorish tilt with
reeds instead of lances, an elegant pastime of Granada worthy of the
courtly Moslems with whom Don Pedro is so much in league, while stringed
instruments strike up a joyful measure, and castanets are played by the
_gitanos_ who dance a _seguidilla_ before the king.
Many of the great nobles, offended at the insolent bearing of Don Pedro,
have not, as yet, taken their lances out of rest, but have only ridden
round at the opening of the lists, at which great wonder is expressed
among the spectators, and much discontent amid their followers.
Now, all are in honour bound to break a lance, in the _Grande Mêlée_,
with Don Fadique, who takes his place in the centre of the field.
Whether it is out of courtesy to his youth and royal rank, or that, by a
kind of miracle, his lady-love being present, his arm is strengthened to
do wonders in her eyes, many a famous noble has the worst of it, at
which wild cries are again heard of “_Santiago!_ _Viva el Gran Maestro!_
_Viva el Infante!_”
A grand procession ends the tournament, around the golden pole set up in
the centre, from which depends a laurel crown woven with pearls, which,
according to the rules, ought to be presented to the victor by the young
queen. But Don Pedro, in savage mood (for the success of his brother has
deeply angered him), has willed it otherwise.
With his large eyes fixed in a disdainful stare he gives no heed to the
tilting, and scarcely responds to the salutations of the noble knights
who gather under the pavilion.
When Don Fadique stations himself in front to salute him and the two
queens, Don Pedro--who at that moment is talking eagerly with the Lord
of Monteney, from time to time turning towards Albuquerque, as if to
inform him of some important fact--turns and fixes his eyes upon him
with such a glare of rage that Don Fadique never advances at all to
claim the guerdon he was to receive, and retreats to his tent, the king
at the same time suddenly rising, and signalling to the gaudy herald,
displaying his particoloured costume in the last rays of the sunset
which light up the west, to the delight of the townsfolk, to approach.
Like all the world the herald dreads the king, and comes riding as fast
as his horse can carry him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account