Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
And strange to say, after the lapse of five centuries, the stain is
there on the marble pavement _still_, close under three clustered
pillars of green porphyry, supporting a richly worked Moorish arch.
But before Maria can reply, a shrill cry rises from the white pillars
that makes the _patio_ ring, and an ancient dame hurries forward, and
with her stick puts back the guards who stand around.
With a horrified glance at the upturned face of the dead Grand Master,
she turns upon the king:
“What bloody work is this, Don Pedro? I have a right to ask, for I
reared you both at my breast. Oh! my child, my child!” sinking down
beside him on the ground, and tenderly gathering the dead form in her
arms. “Oh, my Fadique, my little one. So much you were alike, the
queen-mother only knew you from the crown embroidered on Pedro’s robe.
Even the queen loved the boy.” Then with a piercing shriek she raises
herself from the ground, and her sunken eyes travel round upon the
group, first on the king, then on Maria de Padilla. “Let the hand that
struck him be accursed!”
“He was my enemy, and I killed him,” answers Don Pedro, but he did not
chide her, nor question her right to speak.
“It is that accursed woman!” and the nurse raises her bony fingers and
points towards Maria as her tall figure disappears in the deep shadow of
the arches. “May Satan take her! And that soon! She has falsely accused
him. Oh, Pedro! I loved you as much as him. Now I curse you, you cruel
king! By the same bloody death shall you also die. The witch!” shaking
her fist towards the spot where Maria has vanished; “a thousand such as
_she_ may be found in Spain, but who will replace the true brother that
you have lost?” As she speaks, a strange fire shines in her dim eyes,
and her wrinkled face is transfigured with a sudden light. The voice in
which she speaks seems not her own, but strong and vigorous, as though a
wave of youth had passed over her.
“I have spoken,” and she fell prostrate on the body of Don Fadique as
the captain of the guard drew his sword, as if to smite her, and his men
made a circle round.
“Ask the king if I shall die,” turning to Don Pedro, who has covered his
face with his hands. “I care not, but let me lay him on my breast. Oh!
child of my love, the youngest and the best!”
“Harm her not, Ruy Gomez,” orders the king, “and let her go.” And in
deep thought he turns away.
In his general contempt for all mankind, the king held his nurse in
great esteem. When he was sick or wounded she tended him, and in his
darkest moods she could approach him when others fled.
But for his promise to Maria de Padilla, he would never have slain a
brother who came in peace, under his roof, and now another is to die
likewise; he had given her his word. Thinking of all this his brow grew
dark as he mounted the secret stair which led into his retiring-room,
with the skeleton heads of the four unjust judges hung over the door.
Public-domain text, read in full here on John Shaqi.
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