Old Creole Days: A Story of Creole Life — John Shaqi
Old Creole Days: A Story of Creole LifeCable, George Washington
General
Old Creole Days: A Story of Creole Life
Cable, George Washington
Creoles -- Fiction; Historical fiction; Louisiana -- Social life and customs -- Fiction; New Orleans (La.) -- Fiction
There were Pedro and Benigno, and Fernandez and Francisco, and Benito.
Benito was a tall, swarthy man, with immense gray moustachios, and hair
as harsh as tropical grass and gray as ashes. When he could spare his
cigarette from his lips, he would tell you in a cavernous voice, and
with a wrinkled smile that he was "a-t-thorty-seveng."
There was Martinez of San Domingo, yellow as a canary, always sitting
with one leg curled under him and holding the back of his head in his
knitted fingers against the back of his rocking-chair. Father, mother,
brother, sisters, all, had been massacred in the struggle of '21 and
'22; he alone was left to tell the tale, and told it often, with that
strange, infantile insensibility to the solemnity of his bereavement so
peculiar to Latin people.
But, besides these, and many who need no mention, there were two in
particular, around whom all the story of the Café des Exilés, of old M.
D'Hemecourt and of Pauline, turns as on a double centre. First, Manuel
Mazaro, whose small, restless eyes were as black and bright as those of
a mouse, whose light talk became his dark girlish face, and whose
redundant locks curled so prettily and so wonderfully black under the
fine white brim of his jaunty Panama. He had the hands of a woman, save
that the nails were stained with the smoke of cigarettes. He could play
the guitar delightfully, and wore his knife down behind his coat-collar.
The second was "Major" Galahad Shaughnessy. I imagine I can see him, in
his white duck, brass-buttoned roundabout, with his sabreless belt
peeping out beneath, all his boyishness in his sea-blue eyes, leaning
lightly against the door-post of the Café des Exilés as a child leans
against his mother, running his fingers over a basketful of fragrant
limes, and watching his chance to strike some solemn Creole under the
fifth rib with a good old Irish joke.
Old D'Hemecourt drew him close to his bosom. The Spanish Creoles were,
as the old man termed it, both cold and hot, but never warm. Major
Shaughnessy was warm, and it was no uncommon thing to find those two
apart from the others, talking in an undertone, and playing at
confidantes like two schoolgirls. The kind old man was at this time
drifting close up to his sixtieth year. There was much he could tell of
San Domingo, whither he had been carried from Martinique in his
childhood, whence he had become a refugee to Cuba, and thence to New
Orleans in the flight of 1809.
Public-domain text, read in full here on John Shaqi.
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