Old Creole Days: A Story of Creole LifeCable, George Washington
General
Old Creole Days: A Story of Creole Life
Cable, George Washington
Creoles -- Fiction; Historical fiction; Louisiana -- Social life and customs -- Fiction; New Orleans (La.) -- Fiction
The Irishman and the maiden looked into each other's eyes an instant, as
people will do when listening; but Pauline's immediately fell, and when
Mazaro's words were understood, her blushes became visible even by
moonlight.
"He's r-right!" emphatically whispered Galahad.
She attempted to draw back a step, but found herself against the
shelves. M. D'Hemecourt had not answered. Mazaro spoke again.
"Boat-a you canno' help-a, eh? I know, 'out-a she gettin' marry, eh?"
Pauline trembled. Her father summoned all his force and rose as if to
ask his questioner to leave him; but the handsome Cuban motioned him
down with a gesture that seemed to beg for only a moment more.
"Senor, if a-was one man whath lo-va you' thaughter, all is possiblee to
lo-va."
Pauline, nervously braiding some bits of wire which she had
unconsciously taken from a shelf, glanced up--against her will,--into
the eyes of Galahad. They were looking so steadily down upon her that
with a great leap of the heart for joy she closed her own and half
turned away. But Mazaro had not ceased.
"All is possiblee to lo-va, Senor, you shouth-a let marry hore an' tak'n
'way frone d'these plaze, Senor."
"Manuel Mazaro," said M. D'Hemecourt, again rising, "you 'ave say
enough."
"No, no, Senor; no, no; I want tell-a you--is a-one man--_whath lo-va_
you' thaughter; an' I _knowce_ him!"
Was there no cause for quarrel, after all? Could it be that Mazaro was
about to speak for Galahad? The old man asked in his simplicity:
"Madjor Shaughnessy?"
Mazaro smiled mockingly.
"Mayor Shaughness'," he said; "oh, no; not Mayor Shaughness'!"
Pauline could stay no longer; escape she must, though it be in Manuel
Mazaro's very face. Turning again and looking up into Galahad's face in
a great fright, she opened her lips to speak, but--
"Mayor Shaughness'," continued the Cuban; "_he_ nev'r-a lo-va you'
thaughter."
Galahad was putting the maiden back from the door with his hand.
"Pauline," he said, "it's a lie!"
"An', Senor," pursued the Cuban, "if a was possiblee you' thaughter to
lo-va heem, a-wouth-a be worse-a kine in worlt; but, Senor, _I_"--
M. D'Hemecourt made a majestic sign for silence. He had resumed his
chair, but be rose up once more, took the Cuban's hat from the table and
tendered it to him.
"Manuel Mazaro, you 'ave"--
"Senor, I goin' tell you"--
"Manuel Mazaro, you"--
"Boat-a Senor"--
"Bud, Manuel Maz"--
"Senor, escuse-a me"--
"Huzh!" cried the old man. "Manuel Mazaro, you ave deceive' me! You 'ave
_mocque_ me, Manu"--
"Senor," cried Mazaro, "I swear-a to you that all-a what I sayin'
ees-a"--
He stopped aghast. Galahad and Pauline stood before him.
"Is what?" asked the blue-eyed man, with a look of quiet delight on his
face, such as Mazaro instantly remembered to have seen on it one night
when Galahad was being shot at in the Sucking Calf Restaurant in St.
Peter Street.
The table was between them, but Mazaro's hand went upward toward the
back of his coat-collar.
Public-domain text, read in full here on John Shaqi.
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