South of the church, in the churchyard at Bewcastle, Cumberland,
stands an obelisk or shaft of an early cross (Figs. 3, 25, and 26),
strikingly like the famous cross at Ruthwell, in Dumfriesshire.
The head of the latter is fairly complete, but in the case of the
Bewcastle cross "the head was broken off long ago," wrote Bishop G. F.
Browne. "About the year 1600, it was sent ... to Lord Arundel, and,
beyond a description in Camden, with an attempt at a representation of
the Runic inscription it bore, nothing has been heard of it since."
The height of the surviving part is 14 ft. 6 in. It is incised with
Anglian runes, which, however, are so much worn, and have been so
variously rendered, that no reliance can be placed on their alleged
authority. Scholars also differ widely as to the date of the cross,
some placing it as early as 665, and others even as late as 1150. The
west face comprises three standing human figures, in three tiers, the
lowest depicting a man with a hawk, while the middle one, a nimbed
figure, has been identified as Christ setting His feet upon the heads
of monsters. On the east face is one long uninterrupted vine scroll,
with birds and beasts in the volutes. The north and south faces are
subdivided into panels containing chequers, interlaced knots, and
scrollwork. In one of the scrolls on the south face is the oldest
detached dial in existence, as distinct from dials on the walls of
buildings. It presents a combination of the old 24-system and the
octaval system; but the gnomon is missing.
In the churchyard of Eyam, Derbyshire, is a peculiarly handsome
cross, of Anglo-Saxon workmanship, of about the year 700 (Figs. 27
and 28). The cross now measures 9 ft. 4 in. high; but the head is
detached and obviously incomplete, if indeed it belongs to the shaft
at all. Assuming, however, that it does belong, the existing lines
and proportions would make the cross in its original state attain a
total height of some 11 ft. 6 in. The width across the arms is 3 ft. 3
in. Both faces of the cross-top are sculptured with four angels each,
that one at the intersection being encircled with a ring. All that
part of the head below the central medallion is missing. The obverse
of the shaft has two panels of figure-subjects above a very rich and
elaborate interlaced knot-ornament. The edges have an interlaced
pattern derived from a six-cord plait. The reverse of the shaft is
occupied with the volutes of a "vine scroll."
Public-domain text, read in full here on John Shaqi.
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