The average form of standing cross, and such to which the vast
majority of them, not in churchyards only, but also on village
greens and squares, or by the wayside, belongs, is that of the
shaft-on-steps type. The fully developed cross of this sort consists
of steps or calvary, socket, shaft or stem, capital or knop, and
head. The latter, it should be remarked, is that part of the cross
which, no doubt on account of the sacred or legendary significance
of the figures sculptured upon it, is now most commonly absent. The
remaining elements consisting of such simple units, it is truly
wonderful how great variety of treatment is to be observed in crosses
of the kind. The resources of their design may almost be said to be
unlimited. It rarely happens that any two examples are found quite
alike in all respects. For though the simplest of motifs be adopted,
yet a minute change of detail, such as a hollow chamfer instead of
a plain, flat bevel, or the setting of an angle pedestal diagonally
instead of squarely with the side it adjoins, or some such other
slight divergence, if insignificant in itself, will not fail to
produce, by consistent repetition, a widely different result in the
aggregate. The parts which lend themselves more appropriately than the
rest to ornamental treatment are the socket, the knop, and most of
all, the head. The steps, whether circular, rectangular, hexagonal,
or octagonal on plan, are not made the subject for ornament, except
rarely, and then it is confined to a moulded overhanging drip, or
a moulded set-off in the angle between the tread and the riser, as
for example, at Bishop's Lydeard (Fig. 20), Charlton Mackerel (Fig.
19), and North Petherton, in Somersetshire (Fig. 77), and Raunds, in
Northamptonshire (Fig. 45). Raunds cross has two steps, and the riser
of the upper one is enriched with late-Gothic quatrefoil panelling.
Such treatment, however, is altogether exceptional; and even in this
case can scarcely be authentic, seeing that the quatrefoils are not
properly spaced, as they must have been spaced, had they been designed
for the position they now occupy.
[Illustration: 45. RAUNDS, NORTHAMPTONSHIRE
CHURCHYARD CROSS]
Public-domain text, read in full here on John Shaqi.
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