Fathers and daughters -- Fiction; Man-woman relationships -- Fiction; United States -- Fiction
Re-dramatized in that single instant to the role of a poet she
straightened up very formally. Back to her breast crept the
quivering little hands. Her eyes were blurred with tears. "The
name of this poem," she said, "is 'The Word that God Forgot to
Make.' But if that's too long I could, of course, call it just
'The Miracle.' See what you think.
'Out of panic and pain, out of unspeakable disaster,
(Oh rhyme, oh rune, oh rhythm itself, come faster, come faster!)
Out of all this I say
Fate has found me my father!
But where? Where? In earth or air?
From sky to sea? From you to me?
Where shall I find a rhyme for "father"?
I whose only speech is rhyme, I who have so little time.
How can I in other ways sound my Daddy's glorious praise?
Beauty, Splendor, Brains, Perfection----'" [100]
"Oh, I say!" wriggled her father. "Is that all?"
Wilting down on his breast again he heard her swallow pretty
hard several times before her muffled answer came.
"It's--it's all," she said, "except, of course, the refrain 'Yo-ho,'
etc."
Chuckling softly to himself for a moment her father sat staring
off across the crown of her head at the shifting car-window
landscape of orange groves, palm trees, and pine.
"Couldn't you pat me a little?" came the sweet, muffled voice
again.
"I darsn't," said her father. "If I should unclasp a single hand
you'd go bumpety-bump on the floor."
"O--h," sighed Daphne, "but couldn't you even--pat me with your
voice?"
"'Pat you with my voice?'" puzzled her father. With a quiver of
muscles his strong arms tightened round her. "Why, you poor
baby," he cried, "you poor lonesome little kiddie! You----"
"Why does everybody think I'm so little?" protested Daphne. With
considerable effort she struggled up again, "You--and John [101]
Burnarde--and the--and the Kissing Man! Every one of you called
me 'a baby.' But that Wiltoner boy--at the dance that night,"
she faltered, "he treated me as though I was quite grown up and
real. Right in the midst of a dance it was he asked me about
bread machines. Asked my advice about bread machines, I mean!
And I loved it!"
"Did you ever see a bread machine?" quizzed her father.
"N--o," admitted Daphne, "but it sounds so real! But what I want
to know," she hurried on quite irrelevantly, "is about this
place--this wild, desert-islandy sort of place that we're going
to. Will that seem _real_?"
"Very real," promised her father.
"Tents?" questioned Daphne.
"Yes," said her father.
"What will there be to eat?" brightened Daphne.
"Oh, canned goods," shrugged her father, "and warm oranges and
grape-fruit, and heaps of salt pork, of course, and all the
fresh fish we have strength to land--Spanish mackerel, sea
trout, sharks."
"Not sharks?" thrilled Daphne. [102]
"Ah, of course, we don't have to eat them," confessed her father.
"And people?" wilted Daphne again. "Will there have to be people?"
Public-domain text, read in full here on John Shaqi.
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