Old English colour printsSalaman, Malcolm C. (Malcolm Charles)
History
Old English colour prints
Salaman, Malcolm C. (Malcolm Charles)
Color prints, English
Earlier than this, however, Sir Robert Strange, who hated Bartolozzi,
and for whom line-engraving alone represented the dignity of the
engraver’s art, had predicted a sort of artistic _débâcle_ through the
popularity of stipple-engraving. “From the nature of the operation,”
he wrote, “and the extreme facility with which it is executed, it has
got into the hands of every boy, of every printseller in town, of every
manufacturer of prints, however ignorant and unskilful. I call them
manufacturers, because the general run of such productions does not
in reality merit the appellation of works of art and must ultimately
tend to depreciate the fine arts in general, to glut the public, and
to vitiate the growing taste of the nation. This art, if to it may be
called, is in itself extremely limited, admits of little variety, and
is susceptible of no improvement.” Naturally, the great line-engraver,
who had worked for his fame through long arduous years, was vexed
to see the very effects of soft flesh tones, which he produced to
admiration with laborious mastery of point and graver, rendered so
easily by stipple, and even more popularly appreciated. Yet there was a
good deal of truth in his protest. The public was in time glutted, not
with finely engraved colour-prints, but with inferior stippling of weak
designs, much of it crudely coloured by hand, or printed with no sense
of art; but the fine arts in general were not in the least depreciated
through such things.
And now the charming little art has, at its old-time best, found
enthusiastic lovers again, while the noble beauty of line-engraving
is to-day appreciated by only the limited few. “If Strange could but
re-visit the glimpses of Christie’s, it would more than astonish
him to see there none of his own superb line-engravings after the
great Italian masters, but to hear the keen bidding for his old
rival Bartolozzi’s best colour-prints after Reynolds, or the Downman
_Duchess of Devonshire_ and _Lady Duncannon_, the Cipriani infants,
_Contentment_, _Friendship_, the Hamilton _Months_, or Miss Benwell’s
_St. James’s_ and _St. Giles’s Beauties_, or the _Orange Girl_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account