could be provided by money or friendship. The preliminaries were carried
out on a magnificent scale. “The yeomen and grooms of the wardrobes were
busied in hanging of the chambers with costly hangings, and furnishing
the same with beds of silk, and other furniture apt for the same in
every degree. Then the carpenters, the joiners, the masons, the
painters, and all other artificers necessary to glorify the house and
feast were set to work. There was carriage and re-carriage of plate,
stuff, and other rich implements; so that there was nothing lacking or
to be imagined or devised for the purpose. There were also fourteen
score beds provided and furnished with all manner of furniture to them
belonging.” When the feast began the arrangements were perfect and we
are able to imagine the scene. “Anon came up the second course, with so
many dishes, subtleties, and curious devices, which were above a hundred
in number, of so goodly proportion and costly that I suppose the
Frenchmen never saw the like. The wonder was no less than it was worthy
in deed. There were castles with images in the same: Paul’s Church and
steeple, in proportion for the quantity as well counterfeited as the
painter should have painted it upon a cloth or wall. There were beasts,
birds, fowls of divers kinds, and personages, most lively made and
counterfeit in dishes, some fighting as it were with swords, some with
guns and crossbows, some vaulting and leaping, some dancing with ladies,
some in complete harness, jousting with spears and with many more
devices than I am able with my wit to describe. Among all, one I noted:
there was a chess board subtilely made of spiced plate, with men to the
same.” Cavendish goes on to mention the arrangements made for the guests
at night, and the whole account reads like an Arabian Nights’
Entertainment.
Public-domain text, read in full here on John Shaqi.
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