Old Europe's Suicide; or, The Building of a Pyramid of Errors: An Account of Certain Events in Europe During the Period 1912–1919Thomson, Christopher Birdwood, Baron
History
Old Europe's Suicide; or, The Building of a Pyramid of Errors: An Account of Certain Events in Europe During the Period 1912–1919
Thomson, Christopher Birdwood, Baron
Balkan Peninsula -- History -- War of 1912-1913; Eastern question (Balkan); World War, 1914-1918
The pictures were poor. One was a portrait of King Peter, whose
brilliant uniform recalled a play I had seen just before leaving
London. Another represented a battle between Servians and Turks,
dagger and axe were being used freely, the ground was strewn with
dead and wounded, horsemen were riding over foe and friend alike,
some at a dignified walk, others galloping madly, but all seemed
equally indifferent to the feelings of the men on the ground. The
meeting between Wellington and Blucher after Waterloo, as conceived
by a nineteenth-century artist, was child’s play compared to this
battlepiece. The third picture portrayed three horsemen in rich attire
riding abreast along a woodland glade followed by their retainers. The
scene was historical; it was the last ride of the centre horseman, a
former reigning prince, whose companions, and incidentally his kinsmen,
had assassinated him in that very glade.
These pictures were only too typical of Servia’s past history; they
explained the worn, anxious expression on the old King’s face and,
seen for the first time on the eve of yet another war, gave food for
reflection. Human nature seemed unchanging and unchangeable; history
was about to repeat itself in battles and murder, hatred and anger,
suffering and death. Modern weapons would replace the dagger and the ax
and the men on horseback would be provided with motor cars: these would
be the only differences.
It is usually better to ride than to walk. Philosophers, as a rule,
prefer the latter form of progression; perhaps that is why so few of
them have been kings and why cities so seldom “rest from their evils.”
My sole remaining distraction was the window. It commanded a wide view
over the Save and Danube valleys and looked straight down on the great
railway bridge which links Servia with Central Europe. At the far end
of the bridge a Hungarian sentry was clearly visible, and all along the
Save’s Hungarian bank were earthworks and searchlights. Away to the
right, and about a mile distant, were the barracks of Semlin; rumour
said they were full to overflowing.
Austria-Hungary was watching her small Southern neighbour mobilize and
taking a few precautionary measures, in order, no doubt, to be in a
better position to keep the ring.
Standing at the open window in that quiet room, I felt I was learning
more about Serbia’s real position than could possibly have been gleaned
from all the talk on the Danube steamer. Perhaps it was the instinct
of an islander, but, as I looked across the river, I had a feeling of
vague uneasiness, amounting almost to physical discomfort; an immensely
greater force was there, passive but watchful, and it was so near,
within easy range of field artillery.
Public-domain text, read in full here on John Shaqi.
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