Old Europe's Suicide; or, The Building of a Pyramid of Errors: An Account of Certain Events in Europe During the Period 1912–1919 — John Shaqi
Old Europe's Suicide; or, The Building of a Pyramid of Errors: An Account of Certain Events in Europe During the Period 1912–1919Thomson, Christopher Birdwood, Baron
History
Old Europe's Suicide; or, The Building of a Pyramid of Errors: An Account of Certain Events in Europe During the Period 1912–1919
Thomson, Christopher Birdwood, Baron
Balkan Peninsula -- History -- War of 1912-1913; Eastern question (Balkan); World War, 1914-1918
My lot had been cast with the Serbian forces and, by great good
fortune, I was able to join the First Army as it poured through
the defiles of the Kara Dagh into the region called “Old Servia.”
At Belgrade the talk had been of a war of liberation from economic
thraldom, of a conflict between the Crescent and the Cross; with the
armies it was otherwise. No thought of policy or secret treaties, or
even of religion, confused the minds of Servia’s peasant soldiers; they
marched like men called to fulfil their country’s destiny, singing
the story of their race, making the mountains echo with their martial
songs. There was no need to understand their language to catch the
meaning of these singers; they sang of sorrow and tribulation, of
centuries of helplessness in oppression, but the note of defiance
was never absent; defeat was admitted but never despair. Something
unconquerable was in their hearts, stirring their blood and nerving
every muscle--the spirit of revenge. Bacon, in his famous essay, says:
“The most tolerable sort of revenge is for those wrongs which there is
no law to remedy.” The Serbs had five centuries of wrongs to avenge,
and the Great Powers had produced no law as a remedy, except the law of
force; by force these peasants, in their turn, meant to obtain “a kind
of wild justice.”
For them, the plains of Kossovo were sacred; there had been made
the last heroic stand against a cruel and implacable foe; there had
occurred the dreadful rout, whose few survivors told the tale, at
first in frightened whispers, then in songs--long, wailing songs, like
dirges. Songs are the chronicles of Slavonic races, they pass into the
nation’s ritual and permeate its life. Succeeding generations sang
these songs of Kossovo, and so the legend grew, and spread to all the
Balkan lands; each humble home, even in far Rumania, had heard of
Lazar, a Tsar who led his people and gave his life up for them on a
battlefield known as “the Field of Blackbirds.” When princes perish
thus, servility conspires with pity to make them martyrs. The dead Tsar
led his people still, and far more potently in death than life; his
legendary form, looming gigantic through the mists of time, beckoned
them, irresistibly, to blood-soaked fields, where, once again, the
Turks and Serbs would meet in mortal strife.
Public-domain text, read in full here on John Shaqi.
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