It must be admitted, however, that for those who had a personal knowledge
of Rossetti some of the letters in this volume will have an interest,
owing to the evidence they afford of that authorial generosity which was
one of his most beautiful characteristics. His disinterested
appreciation of the work of his contemporaries sets him apart from all
the other poets of his time and perhaps of any other time. To wax
eloquent in praise of this and that illustrious name, and thus to claim a
kind of kinship with it, is a very different thing from Rossetti’s noble
championship of a name, whether that of a friend or otherwise, which has
never emerged from obscurity. It is perhaps inevitable and in the nature
of things that most poets are too much absorbed in their own work to have
time to interest themselves in the doings of their fellow-workers.
But, with regard to Rossetti, he could feel, and often did feel, as deep
an interest in the work of another man as in his own. There was no
trouble he would not take to aid a friend in gaining recognition. This
it was more than anything else which endeared him to all his friends, and
made them condone those faults of his which ever since his death have
been so freely discussed. The editor of this volume quotes this sentence
from Skelton’s ‘Table-Talk of Shirley’:—
“I have preserved a number of Rossetti’s letters, and there is barely
one, I think, which is not mainly devoted to warm commendation of
obscure poets and painters—obscure at the time of writing, but of
whom more than one has since become famous.”
Nor was his interest in other men’s work confined to that of his personal
friends. His discovery of Browning’s ‘Pauline,’ of Charles Wells, and of
the poems of Ebenezer Jones may be cited as instances of this. Moreover,
he was always looking out in magazines—some of them of the most obscure
kind—for good work. And if he was rewarded, as he sometimes was, by
coming upon precious things that might otherwise have been lost, his
heart was rejoiced.
One day, having turned into a coffee-house in Chancery Lane to get a cup
of coffee, he came upon a number of _Reynolds’s Miscellany_, and finding
there a poem called ‘A Lover’s Pastime,’ he saw at once its extraordinary
beauty, and enclosed it in a letter to Allingham. In this case, however,
he unfortunately did not make his usual efforts to discover the
authorship of a poem that pleased him; and a pity it is, for the poem is
one of the loveliest lyrics that have been written in modern times. We
hope it will find a place in the next anthology of lyrical poetry.
Public-domain text, read in full here on John Shaqi.
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