Old Fashioned Flowers, and other out-of-door studiesMaeterlinck, Maurice
General
Old Fashioned Flowers, and other out-of-door studies
Maeterlinck, Maurice
Flowers; Gardening
The fruit-trees alone have long reflected: the example of the vegetables
among which they live urged them to join in the general rejoicing, but
the rigid attitude of their elders from the North, of the grandparents
born in the great dark forests, preached prudence to them. But now they
awaken: they too can resist no longer and at last make up their minds to
join the dance of perfumes and of love. The peach-trees are now no more
than a rosy miracle, like the softness of a child’s skin turned into
azure vapour by the breath of dawn. The pear and plum and apple and
almond-trees make dazzling efforts in drunken rivalry; and the pale
hazel-trees, like Venetian chandeliers, resplendent with a cascade of
gems, stand here and there to light the feast. As for the luxurious
flowers that seem to possess no other object than themselves, they have
long abandoned the endeavour to solve the mystery of this boundless
summer. They no longer score the seasons, no longer count the days, and,
knowing not what to do in the glowing disarray of hours that have no
shadow, dreading lest they should be deceived and lose a single second
that might be fair, they have resolved to bloom without respite from
January to December. Nature approves them, and, to reward their trust in
happiness, their generous beauty and amorous excesses, grants them a
force, a brilliancy and perfumes which she never gives to those which
hang back and show a fear of life.
All this, among other truths, was proclaimed by the little house that I
saw to-day on the side of a hill all deluged in roses, carnations,
wall-flowers, heliotrope and mignonette, so as to suggest the source,
choked and overflowing with flowers, whence Spring was preparing to pour
down upon us; while, upon the stone threshold of the closed door,
pumpkins, lemons, oranges, limes and Turkey figs slumbered in the
majestic, deserted, monotonous silence of a perfect day.
FIELD FLOWERS [Illustration] _FIELD FLOWERS_
They welcome our steps without the city gates, on a gay and eager carpet
of many colours, which they wave madly in the sunlight. It is evident
that they were expecting us. When the first bright rays of March
appeared, the Snowdrop, or Amaryllis, the heroic daughter of the
hoar-frost, sounded the reveille. Next sprang from the earth efforts, as
yet shapeless, of a slumbering memory,--vague ghosts of flowers, pale
flowers that are scarcely flowers at all: the three-fingered Saxifrage,
or Samphire; the almost invisible Shepherd’s-Pouch; the two-leaved
Squill; the Stinking Hellebore, or Christmas Rose; the Colt’s-Foot; the
gloomy and poisonous Spurge Laurel--all plants of frail and doubtful
health, pale-blue, pale-pink, undecided attempts, the first fever of
life in which nature expels her ill-humours, anæmic captives set free by
winter, convalescent patients from the underground prisons, timid and
unskilful endeavours of the still buried light.
Public-domain text, read in full here on John Shaqi.
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