Old Fashioned Flowers, and other out-of-door studiesMaeterlinck, Maurice
General
Old Fashioned Flowers, and other out-of-door studies
Maeterlinck, Maurice
Flowers; Gardening
Nevertheless, thanks to some forgetfulness of nature, the most unusual
colour in the world of flowers and the most severely forbidden--the
colour which the corolla of the poisonous euphorbia is almost the only
one to wear in the city of the umbels, petals and calyces--green, the
colour exclusively reserved for the servile and nutrient leaves, has
penetrated within the jealously-guarded precincts. True, it has slipped
in only by favour of a lie, as a traitor, a spy, a livid deserter. It is
a forsworn yellow, steeped fearfully in the fugitive azure of the
moonbeam. It is still of the night and false, like the opal depths of
the sea; it reveals itself only in shifting patches at the tips of the
petals; it is vague and anxious, frail and elusive, but undeniable. It
has made its entrance, it exists, it asserts itself; it will be daily
more fixed and more determined; and, through the breach which it has
contrived, all the joys and all the splendours of the banished prism
will hurl themselves into their virgin domain, there to prepare
unaccustomed feasts for our eyes. This is a great tiding and a memorable
conquest in the land of flowers.
We must not think that it is puerile thus to interest one’s self in the
capricious forms, the unwritten shades of a humble, useless flower, nor
must we treat those who seek to make it more beautiful or more strange
as La Bruyère once treated the lover of the tulip or the plum. Do you
remember the charming page?
* * * * *
“The lover of flowers has a garden in the suburbs, where he spends all
his time from sunrise to sunset. You see him standing there and would
think that he had taken root in the midst of his tulips before his
‘Solitaire;’ he opens his eyes wide, rubs his hands, stoops down and
looks closer at it; it never before seemed to him so handsome; he is in
an ecstasy of joy, and leaves it to go to the ‘Orient,’ then to the
‘Widow,’ from thence to the ‘Cloth of Gold,’ on to the ‘Agatha,’ and at
last returns to the ‘Solitaire,’ where he remains, is tired out, sits
down, and forgets his dinner; he looks at the tulip and admires its
shade, shape, colour, sheen and edges, its beautiful form and calyc; but
God and nature are not in his thoughts, for they do not go beyond the
bulb of his tulip, which he would not sell for a thousand crowns, though
he will give it to you for nothing when tulips are no longer in fashion
and carnations are all the rage. This rational being, who has a soul and
professes some religion, comes home tired and half starved, but very
pleased with his day’s work: he has seen some tulips.
Public-domain text, read in full here on John Shaqi.
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