Old Fashioned Flowers, and other out-of-door studies — John Shaqi
Old Fashioned Flowers, and other out-of-door studiesMaeterlinck, Maurice
General
Old Fashioned Flowers, and other out-of-door studies
Maeterlinck, Maurice
Flowers; Gardening
I have seen them, those whom I have named and as many whom I have
forgotten, all thus collected in the garden of an old sage, the same
that taught me to love the bees. They displayed themselves in beds and
clusters, in symmetrical borders, ellipses, oblongs, quincunxes and
lozenges, surrounded by box hedges, red bricks, earthenware tiles or
brass chains, like precious matters contained in ordered receptacles
similar to those which we find in the discoloured engravings that
illustrate the works of the old Dutch poet, Jacob Cats. And the flowers
were drawn up in rows, some according to their kinds, others according
to their shapes and shades, while others, lastly, mingled, according to
the happy chances of the wind and the sun, the most hostile and
murderous colours, in order to show that nature acknowledges no
dissonance and that all that lives creates its own harmony.
From its twelve rounded windows, with their shining panes, their muslin
curtains, their broad green shutters, the long, painted house, pink and
gleaming as a shell, watched them wake at dawn and throw off the brisk
diamonds of the dew and then close at night under the blue darkness that
falls from the stars. One felt that it took an intelligent pleasure in
this gentle, daily fairy-scene, itself solidly planted between two
clear ditches that lost themselves in the distance of the immense
pasturage dotted with motionless cows, while, by the roadside, a proud
mill, bending forward like a preacher, made familiar signs with its
paternal sails to the passers-by from the village.
VI
Has this earth of ours a fairer ornament of its hours of leisure than
the care of flowers? It was beautiful to see thus collected for the
pleasure of the eyes, around the house of my placid friend, the splendid
throng that tills the light to win from it marvellous colours, honey and
perfumes. He found there translated into visible joys, fixed at the
gates of his house, the scattered, fleeting and almost intangible
delights of summer,--the voluptuous air, the clement nights, the
emotional sunbeams, the glad hours, the confiding dawn, the whispering
and mysterious azured space. He enjoyed not only their dazzling
presence; he also hoped--probably unwisely, so deep and confused is that
mystery--he also hoped, by dint of questioning them, to surprise, with
their aid, I know not what secret law or idea of nature, I know not what
private thought of the universe, which perhaps betrays itself in those
ardent moments in which it strives to please other beings, to beguile
other lives and to create beauty.
VII
Public-domain text, read in full here on John Shaqi.
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