Old Fires and Profitable Ghosts: A Book of StoriesQuiller-Couch, Arthur
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Old Fires and Profitable Ghosts: A Book of Stories
Quiller-Couch, Arthur
Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
"A horse, a horse! My kingdom for a horse! Lobelia, how many horses
has your father in stable? Red, white, or grey?"
"One, Miss Wilhelmina; an' that's old Sentry-go, and father says _he'll_
have to go to the knacker's before another winter."
"Then he shall carry me there on his back: with rings on my fingers and
bells on my toes"--
She rode unto the knacker's yard,
And tirled at the pin:
Right glad were then the cat's-meat men
To let that lady in!
--especially, Lobelia, when she alighted and sat upon the ground and
began to tell them sad stories of the death of kings. But they cut off
Sentry-go's head and nailed it over the gate. So he died, and she very
imprudently married the master knacker, who had heard she was an heiress
in her own right, and wanted to decorate his coat-of-arms with an
escutcheon of pretence; and besides, his doctor had recommended a
complete change "--
"Law, miss, how you _do_ run on!"
The young lady who had given utterance to this amazing rigmarole stood
at the top of a terrace flight (much cracked and broken) between two
leaden statuettes (headless)--a willowy child in a large-brimmed hat,
with a riding-switch in one hand and the other holding up an old tartan
shawl, which she had pinned about her to imitate a horse-woman's habit.
As she paced to and fro between the leaden statuettes--
pedes vestis defluxit ad imos
Et vera incessu patuit dea,
--and I noted almost at once that two or three butterflies ("red
admirals" they were) floated and circled about her in the sunlight.
A child of commoner make, and perhaps a year older, dressed in a buff
print frock and pink sunbonnet, looked up at her from the foot of the
steps. The faces of both were averted, and I stood there for at least a
minute on the verge of the laurels, unobserved, considering the picture
they made, and the ruinous Jacobean house that formed its background.
Never was house more eloquent of desolation. Unpainted shutters,
cracking in the heat, blocked one half of its windows. Weather-stains
ran down the slates from the lantern on the main roof. The lantern over
the stable had lost its vane, and the stable-clock its minute-hand.
The very nails had dropped out of the gable wall, and the wistaria and
Gloire de Dijons they should have supported trailed down in tangles,
like curtains. Grass choked the rain-pipes, and moss dappled the gravel
walk. In the border at my feet someone had attempted a clearance of the
weeds; and here lay his hoe, matted with bindweed and ring-streaked with
the silvery tracks of snails.
"Very well, Lobelia. We will be sensible house-maid and cook, and talk
of business. We came out, I believe, to cut a cabbage-leaf to make an
apple-pie"--
At this point happening to turn her head she caught sight of me, and
stopped with a slight, embarrassed laugh. I raised my hat.
"I beg your pardon, sir, but no strangers are admitted here."
Public-domain text, read in full here on John Shaqi.
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