Old Fires and Profitable Ghosts: A Book of StoriesQuiller-Couch, Arthur
General
Old Fires and Profitable Ghosts: A Book of Stories
Quiller-Couch, Arthur
Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
"I beg your pardon"--I began; and with that, as I shifted my
walking-stick, my foolish ankle gave way, and plump I sat in the very
middle of the bindweed.
"You are ill?" She came quickly towards me, but halted a pace or two
off. "You look as if you were going to faint."
"I'll try not to," said I. "The fact is, I have just twisted my ankle
on the side of Skirrid, and I wished to be told the shortest way to the
station."
"I don't believe you can walk; and"--she hesitated a second, then went
on defiantly--"we have no carriage to take you."
"I should not think of putting you to any such trouble."
"Also, if you want to reach Aber, there is no train for the next two
hours. You must come in and rest."
"But really "--
"I am mistress here. I am Wilhelmina Van der Knoope."
Being by this time on my feet again, I bowed and introduced myself by
name. She nodded. The child had a thoughtful face--thoughtful beyond
her years--and delicately shaped rather than pretty.
"Lobelia, run in and tell the Admirals that a gentleman has called, with
my permission."
Having dismissed the handmaiden, she observed me in silence for a few
moments while she unpinned her tartan riding-skirt. Its removal
disclosed, not--as I had expected--a short frock, but one of quite
womanly length; and she carried it with the air of a grown woman.
"You must make allowances, please. I think," she mused, "yes, I really
think you will be able to help. But you must not be surprised, mind.
Can you walk alone, or will you lean a hand on my shoulder?"
I could walk alone. Of what she meant I had of course no inkling; but I
saw she was as anxious now for me to come indoors as she had been prompt
at first to warn me off the premises. So I hobbled after her towards
the house. At the steps by the side-door she turned and gave me a hand.
We passed across a stone-flagged hall and through a carpetless corridor,
which brought us to the foot of the grand staircase: and a magnificent
staircase it was, ornate with twisted balusters and hung with fine
pictures, mostly by old Dutch masters. But no carpet covered the broad
steps, and the pictures were perishing in their frames for lack of
varnish. I had halted to stare up at a big Hondecoeter that hung in the
sunlight over the first short flight of stairs--an elaborate "Parliament
of Fowls"--when the girl turned the handle of a door to my right and
entered.
"Uncle Peter, here is the gentleman who has called to see you."
As I crossed the threshold I heard a chair pushed back, and a very old
gentleman rose to welcome me at the far end of the cool and shadowy
room; a tall white-haired figure in a loose suit of holland. He did not
advance, but held out a hand tentatively, as if uncertain from what
direction I was advancing. Almost at once I saw that he was
stone-blind.
"But where is Uncle Melchior?" exclaimed Wilhelmina.
Public-domain text, read in full here on John Shaqi.
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