Old Fires and Profitable Ghosts: A Book of StoriesQuiller-Couch, Arthur
General
Old Fires and Profitable Ghosts: A Book of Stories
Quiller-Couch, Arthur
Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
"I believe you are mad," said I slowly. "But one thing I see--that, mad
or not, you're in earnest. For some reason you want me to kill you;
therefore that shall wait. For some reason it is torture to you to live
and do without me: well, I'll try you with that. It will do me good to
hurt you a bit." I slipped the revolver into my pocket and tapped it.
"Though I don't understand them, I won't quarrel with your sentiments so
long as you suffer from them. When that fails, I'll find another
opportunity for this. Good night." I stepped to the door. "Reggie!"
I shut the door on his cry: crossed the corridor, and climbing out
through the window, let myself drop into the lane.
As my feet touched the snow a revolver-shot rang out in the room behind
me.
I caught at the frozen sill to steady myself: and crouching there,
listened. Surely the report must have alarmed the house! I waited for
the sound of footsteps: waited for three minutes--perhaps longer.
None came. To be sure, the room stood well apart from the house: but it
was incredible that the report should have awakened no one! My own ears
still rang with it.
Still no footsteps came. The horse in the stable close by was still
shuffling his hoof on the cobbles. No other sound . . .
Very stealthily I hoisted myself up on the sill again, listened, dropped
inside, and tip-toed my way to the door. The candles were still burning
in the Room of Mirrors. And by the light of them, as I entered, Gervase
stepped to meet me.
"Ah, it's you," I stammered. "I heard--that is, I thought--"
And with that I saw--recognised with a catch of the breath--that the
figure I spoke to was not Gervase, but my own reflected image, stepping
forward with pale face and ghastly from a mirror. Yet a moment before I
could have sworn it was Gervase.
Gervase lay stretched on the hearthrug with his hand towards the fire.
I caught up a candle, and bent over him. His features were not to be
recognised.
As I straightened myself up, with the candle in my hand, for an instant
those features, obliterated in the flesh, gazed at me in a ring, a
hundred times repeated behind a hundred candles. And again, at a second
glance, I saw that the face was not Gervase's but my own.
I set down the candle and made off, closing the door behind me.
The horror of it held me by the hair, but I flung it off and pelted down
the lane and through the mews. Once in the street I breathed again,
pulled myself together, and set off at a rapid walk, southwards, but not
clearly knowing whither.
As a matter of fact, I took the line by which I had come: with the
single difference that I made straight into Berkeley Square through
Bruton Street. I had, I say, no clear purpose in following this line
rather than another. I had none for taking Lennox Gardens on the way to
my squalid lodgings in Chelsea. I had a purpose, no doubt; but will
swear it only grew definite as I came in sight of the lamp still burning
beneath Gervase's portico.
Public-domain text, read in full here on John Shaqi.
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