Old Fires and Profitable Ghosts: A Book of StoriesQuiller-Couch, Arthur
General
Old Fires and Profitable Ghosts: A Book of Stories
Quiller-Couch, Arthur
Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
Harry, however, rode forward resolutely, dismounted almost in the very
shadow of the great arch, and waited, smoothing his mare's neck.
But for the invitation in his eyes, which were solemn, yet without a
trace of fear, I had never dared that last hundred yards. For above the
rush of waters I heard now a confused sound within the building--the
thud and clanking of heavy machinery, and at intervals a human groan;
and looking up I saw that the long friezes in bas-relief represented men
and women tortured and torturing with all conceivable variety of method
and circumstance--flayed, racked, burned, torn asunder, loaded with
weights, pinched with hot irons, and so on without end. And it added to
the horror of these sculptures that while the limbs and even the dress
of each figure were carved with elaborate care and nicety of detail, the
faces of all--of those who applied the torture and of those who looked
on, as well as of the sufferers themselves--were left absolutely blank.
On the same plan the two Titans beside the great archway had no faces.
The sculptor had traced the muscles of each belly in a constriction of
anguish, and had suggested this anguish again in moulding the neck, even
in disposing the hair of the head; but the neck supported, and the locks
fell around, a space of smooth stone without a feature.
Harry allowed me no time to feed on these horrors. Signing to me to
dismount and leave Grey Sultan at the entrance, he led me through the
long archway or tunnel. At the end we paused again, he watching, while
I drew difficult breath. . . .
I saw a vast amphitheatre of granite, curving away on either hand and
reaching up, tier on tier, till the tiers melted in the grey sky
overhead. The lowest tier stood twenty feet above my head; yet curved
with so lordly a perspective that on the far side of the arena, as I
looked across, it seemed almost level with the ground; while the human
figures about the great archway yonder were diminished to the size of
ants about a hole. . . For there were human figures busy in the arena,
though not a soul sat in any of the granite tiers above. A million eyes
had been less awful than those empty benches staring down in the cold
dawn; bench after bench repeating the horror of the featureless carvings
by the entrance-gate--repeating it in series without end, and unbroken,
save at one point midway along the semicircle on my right, where the
imperial seat stood out, crowned like a catafalque with plumes of purple
horse-hair, and screened close with heavy purple hangings. I saw these
curtains shake once or twice in the morning wind.
Public-domain text, read in full here on John Shaqi.
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