Old French Romances, Done into EnglishMorris, William
General
Old French Romances, Done into English
Morris, William
French literature -- To 1500 -- Translations into English; Romances; Tales, Medieval
But as the whole connection of the Legend with the Charlemagne
Cycle is late, we need not attribute much importance to, indeed, we may
at once dismiss their conjecture.
These disputes of the pundits cannot destroy the charm of the Legend.
Never, even in antiquity, have the claims of friendship been urged with
such a passionate emphasis. The very resemblance of the two heroes is
symbolic of their similarity of character; the very name of one of them
is Friend pure and simple. The world is well lost for friendship’s sake
on the one side, on the other nearest and dearest are willingly and
literally sacrificed on the altar of friendship. One of the most
charming of the _Fioretti_ tells how St. Francis overcame in himself the
mediæval dread at the touch of a leper, and washed and tended one of the
poor unfortunates. He was but following the example of Amil, who was not
deterred by the dreaded sound of the “tartavelle”—the clapper or rattle
which announced the approach of the leper {4}—from tending his friend.
Here again romance has points of contact with the folk tale. The end of
the Grimms’ tale of _Faithful John_ is clearly the same as that of _Amis
and Amile_. {5} Once more we are led to believe in some dependence of
the Folk-Tale on Romance, or, _vice versa_, since an incident like that
of resuscitation by the sacrifice of a child is not likely to occur
independently to two different tellers of tales. The tale also contains
the curious incident of the unsheathed sword in bed, which, both in
romances and folk-tales, is regarded as a complete bar to any divorce
court proceedings. It is probable that the sword was considered as a
living person, so that the principle _publico_ was applied, and the sword
was regarded as a kind of chaperon. {6} It is noteworthy that the
incident occurs in _Aladdin and the Wonderful Lamp_, which is a late
interpolation into the _Arabian Nights_, and may be due there to European
influence. But another incident in the romance suggests that it was
derived from a folk-tale rather than the reverse. The two bowls of wood
given to the heroes at baptism are clearly a modification of that
familiar incident in folk-tales, where one of a pair leaves with the
other a “Lifetoken” {7} which will sympathetically indicate his state of
health. As this has been considerably attenuated in our romance, we are
led to the conclusion that it is itself an adaptation of a folk-tale.
IV
Public-domain text, read in full here on John Shaqi.
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