Interior of a wooden house at Marken, North Holland 152 INTRODUCTION It is in the old towns of Holland that the architectural expression of the Dutch people is to be sought. Theirs was an intimate and human architecture, concerned with everyday events, and it developed out of the civil and domestic life. Many of the towns continue to be busy and prosperous, and new buildings here and there crowd in upon the picturesque groups of houses that for centuries have clustered round the great churches and market-places: in others, the active days of commerce are over, the merchants come no more, and the streets and waterways are quiet. But all Dutch towns having any pretension to age possess, to a wonderful degree, what may be termed an old-world atmosphere. Much of their charm, it is true, is due to the rivers and canals that encircle and intersect them in all directions, imparting a sense of quaintness and novelty; but it is the extraordinary number of old buildings still existing, unchanged in form since the days when they were erected and mellowed by ages of sun and rain, that ever appeal to the eye and imagination. The fantastic gables and red roofs, above which rise slender spires and belfries surmounted by leaden flèches and wrought vanes, together with the waterways and canal life, the windmills, and changing skies, are as characteristic now as when the masters of the great Dutch School of painting were living and working. Such scenes were to them inspiration; to picture the intimate events associated was their delight. If the painters have gone--and with them the arquebusiers and governors and burgomasters--the gables, the sunlit courts, and many other familiar features remain. The peculiar geographical conditions that have always existed in Holland have affected in no small degree the development of the land and the temperament of the people. Most of the country is below sea level. Behind the dunes and dykes the sea threatens inundation; the fear of accident by flood has kept the nation watchful and in perpetual war with its ancient enemy. The influence of this natural check has been far-reaching. It has produced the system of canals, determined the character of the landscape, made accordant life and work, method, regularity and order, and brought philosophy and fortitude to the national mind. In the domain of building, as in other spheres, water has been a powerful underlying agent affecting the evolution of style, just as the mountains, forests and deserts of other countries have imparted distinction to architecture.