One morning Elk Horn, the herald, galloped through the camp, holding
aloft a standard with eagle feathers along its staff. He called in a
loud voice that the Grass Dancers would hold their ceremony, and
invited every one to come. He wore a deerskin suit, a beaded breast
ornament of many strands, and a blanket draped about his waist. His
horse was painted, and decorated with clusters of feathers and sleigh
bells; and there were coyote tails hanging from his stirrups.
The Grass Dancers, or Hair-Parters, was an association of young men.
They held their meetings through the winter months, and a public
ceremony at the time of the Sun Dance. Any one who had a suitable dance
outfit could take part. They had four unmarried women as members, who
rode around the camp with them at night and helped them in their
singing.
Their drummers opened the ceremony by seating themselves where the
dance would take place. They beat the drums steadily and in perfect
rhythm—the signal for the people to come together.
Soon the dancers began to assemble. Some were naked, except for
loin-cloths and beaded dance moccasins, and had their faces and bodies
variously painted. Others wore fine costumes, with war shirts of
soft-tanned buckskin, which were decorated with colored beads and
trimmed over the shoulders and legs with black-tipped ermine tails.
They had breast ornaments and necklaces of beads, of elk teeth and
grizzly bear claws. They carried tomahawks, bows and arrows, and
rattles made of bunches of deer and elk hoofs; and wore war bonnets of
eagle feathers and headdresses made of colored horsehair and
porcupine-skins, caps of otter and mink skins, which were wound about
their heads and had the tails hanging down behind. They had skin
ankle-bands with small bells attached, and strings of sleigh bells
strapped about their legs and hanging from their waists.
The dancers sat in a circle, with the drummers in the center, having
large cowhide drums of different colors. They used single drumsticks
with which they beat with spirit; they sang rhythmically and in perfect
unison. In the dance the drumming was a continued booming that did not
break, growing faster and faster, until it ended suddenly with a crash
and in a chorus of shrill war-whoops. Such was the music the
Hair-Parters had for their ceremony.
Some of the dancers had distinguishing marks; and their movements had
meanings, which an outsider would not understand. One warrior wore
leggings with eight parallel black lines, to show the number of men he
had killed in battle. Another had a war shirt covered with marks,
representing picket stakes with short ropes attached, to show the
number of horses he had captured from enemies, cutting them loose at
the risk of his life. Another, who was a noted taker of horses, carried
a painted horse carved from wood. Others had long whips, feathered
wands and fringed bags decorated with colored beads and porcupine
quills.
Public-domain text, read in full here on John Shaqi.
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