During the ceremony of opening the bundle, the outside articles were
removed first. And for this the four principals, Mad Wolf, White Calf
and their wives, Gives-to-the-Sun and Catches-Two-Horses, chanted in
unison, while the two women untied the strings and loosened the smudge
sticks. The four together placed their hands upon the sacred sticks and
held them in the sweet smoke. Then, each held a stick in imitation of
beavers carrying branches of trees. They extended their arms together,
with hands raised and parallel—the Indian sign for beaver den—and
prayed in unison to the spirit of the beaver:
“Pity us! Give us your wisdom and cunning.
May we live to be old.
May we always have plenty of food.”
Buffalo hides were next unrolled and spread upon the ground in front of
the beaver men during the chant:
“The buffalo bull stays in the mountains.
He comes down to the plains.
The mountains are his medicine.”
In this chant the four principals held their hands with two index
fingers curved towards each other, the other fingers being closed, in
imitation of buffalo horns—the Indian sign for buffalo.
The two women raised the Beaver Bundle, while the men sang the chant:
“The buffalo bull came down from the mountains.
He lies upon the ground.”
They moved the sacred bundle slowly and reverently and placed it on a
buffalo robe, beside the burning sweet grass. Mad Wolf took some
rattles from a woven Nez Percé bag and distributed them among the
beaver men. He handed two of them to me and said: “You are now my son
and should join with me in this ceremony.”
These rattles, which were made of buffalo hide and contained small
pebbles, were used by the beaver men to beat time on the buffalo hides
during the chants and dances, in imitation of beavers striking the
water with their flat tails.
Then, with the beaver men, I joined in the Raven Song:
“We fly high in the air.
Our power is very strong.
The wind is our medicine.”
We cawed four times in imitation of ravens, and held our rattles
vertically on the hides. After another raven song, we beat with our
rattles, shook them in the air, and ended with four caws. I watched
closely Mad Wolf’s movements, and imitated his motions with the
rattles, giving forward sweeps to the beats, as he did. This did not
escape his keen eyes, for he said to me so that all could hear: “I like
the way you swing your rattles. I am proud of my white son.”
For the Antelope Song, the beaver men chanted in unison, holding their
hands closed, one above the other, changing their positions by quick,
sharp movements, in imitation of the quick and dainty rise and fall of
the antelope’s feet in walking.
Public-domain text, read in full here on John Shaqi.
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