First, it walked round and then sat down and looked into the tree.
Several times it ran towards the tree after a squirrel, but each time
came back and sat down. Finally it made a quick dash for the tree.
Catches-Two-Horses then made the mistake of making the lynx go quickly
up one side and down the other. Mad Wolf stopped the ceremony. Every
one waited in silence. The beaver men began again their rhythmic
drumming, while Mad Wolf took the tail. He represented the lynx running
to the tree, just as the woman had done. But Mad Wolf made it climb
more slowly; and held it for a short time on top, where it danced in
time with the drumming. He then brought it slowly down the other side,
clambering little by little like a cat, stopping frequently to look
around, until it finally reached the ground.
Mad Wolf brought forth a pair of badger skins. He took them out
backwards, the way badgers come from their dens. He imitated the timid
actions of badgers, moving the skins this way and that, like badgers
trying to escape. He turned them as though they were going to attack,
but became frightened and fled back into their den.
During the song of the white swan, Mad Wolf made a mistake and stopped
the ceremony. With bowed head and closed eyes, he strove to recall the
song, while the entire company waited silently. Suddenly Mad Wolf
raised his head. He looked straight at me and said: “There is White
Weasel, my son. He had better continue the ceremony in my place.” The
Indians laughed and enjoyed the joke. The tension was thus relieved and
Mad Wolf continued the song.
Then Mad Wolf took from the Beaver Bundle the head of a mallard duck.
Elk Chief stood up and, drawing his blanket round him, circled the
fire, imitating the movements of a duck. Across the tepee Soft Woman
rose. Both danced gracefully towards each other until they met and
together they circled the fire, representing in their dance a pair of
ducks. Soft Woman held up her right hand and swayed her body from side
to side, while Elk Chief spread out both arms, with hands extended, in
imitation of a flying duck.
A woman entered the tepee. One of her children was dead, and she was in
mourning. Her disheveled hair hid her face, and she had her blanket
drawn closely about her. She was pale and emaciated from fasting, and
her arms were bleeding from self-inflicted wounds—a sad and
forlorn-looking creature. She stood silently before the assembled
people, until Mad Wolf took pity on her. With some sage he performed
the rite of purification and prayed that she might have a new and happy
life. Then she withdrew as silently as she came.
Public-domain text, read in full here on John Shaqi.
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