France was very keen on Irish glass, and I have unearthed there some very lovely and absolutely genuine specimens, especially wall-lights and chandeliers. Needless to say, a very big trade was done by the glass-houses direct with old Irish families, who gave large orders for glass-ware, ranging from single pieces to complete table services, of which few records appear to have been kept. UNCUT PIECES. A large amount of Irish glass was made and put by, uncut, as Irish families (especially those who lived near the glass-houses) preferred to choose their own cuttings from drawings, so as to have something different from their neighbours. This accounts for the number of uncut pieces still to be found in various parts of Ireland, especially thick finger-bowls, which were, undoubtedly, made in great quantities to await orders. THE ILLUSTRATIONS. The following plates give some idea of the beautiful pieces of glass which have left Ireland, but there are magnificent specimens still there, which will probably never be placed on the market--pieces as poetic in design as their owners are in mind; pieces that will live for the sons and heirs to love and cherish with the many other treasures of Ireland's finest periods, long after Sinn Feiners have ceased their endeavours to destroy all that is best and loveliest in the old country. At the time of writing this, I find an enormous amount of spurious "Irish" glass on the market, and I take this opportunity of warning all collectors and dealers (many of whom are my friends) to be exceedingly careful. It is essential that all lovers of Irish glass should keep their collections pure, and some of these fakes are so clever that dealers will have to exercise the greatest vigilance and care if they are to avoid the ignominy of having pieces which they have sold in good faith returned to them as "wrong." At the present time, all the best known dealers in Irish glass are trusted by their customers, and their advice is taken without question. It is in the best interests of their great profession that this sense of confidence should remain. In conclusion, I should like to add that I hope this book--written, as it is, at the request of many lovers of Irish glass--may be a real help to the novice, and assist him to distinguish between the "true" piece and the forgery. [Illustration: STAR FROM A CHANDELIER.] [Illustration: THE STANNUS CREST, ENGRAVED ON A WATERFORD BOWL, 1790. (_See Plate XVI._)] ILLUSTRATIONS _Photos by Hana_ =BOWLS, DISHES, PLATES AND TAZZE= PLATE IX. [Illustration: WATERFORD BOWL, _circa_ 1783. 8 in. by 10 in. Very flat diamond cutting, on three feet carved as paws. This bowl, which is one of the finest the author has ever seen, is exceptionally notable from the fact that the pontil has been _worked up into an ornament_ instead of being broken off. In the collection of Commander Swithinbank.]