When the crowd was in and seated--all of it that could get in and get seated--a tall, white-haired woman in a plain black frock came silently and swiftly through a door at the back and sat herself down upon a red plush stool before a golden-oak melodeon. Stool and melodeon being both the property of the fractious True Believers, neglect and poor usage had wrought most grievously with the two of them. The stool stood shakily upon its infirm legs and within the melodeon the works were skewed and jangled. But Mrs. Matilda Weeks' finger ends fell with such sanctifying gentleness upon the warped keys, and as she sang her sweet soprano rose so clearly and yet so softly, filling this place whose walls so often had resounded to the lusty hallelujahs of shouting black converts, that to those who listened now it seemed almost as though a Saint Cecelia had descended from on high to make this music. Mrs. Weeks sang a song that she had sung many a time before--for ailing paupers at the almshouse, for prisoners at the county jail, for the motley congregations that flocked to Sunday afternoon services in the little mission at the old Acme rink. And the name of the song was Rock of Ages. She finished singing. Judge Priest got up from a front pew where he had been sitting and went and stood alongside the flower-piled coffin, with his back to the little yellow-pine pulpit and his prayer book in his hands, a homely, ungraceful figure, facing an assemblage that packed the darky meeting house until it could hold no more. In sight there were just five women: the good woman at the melodeon and four other women, dwellers beneath a sinful roof, who sat together upon what the pastor of the True Believers would have called the mourners' bench. And all the rest were men. Men sat, row on row, in the pews; men stood in the single narrow aisle and against the walls round three sides of the building; and men appeared at the doorway and on beyond the doorway, upon the porch and the steps. I deem it to have been characteristic of the old judge that he made no explanation for his presence before them and no apology for his assumption of a role so unusual. He opened his black-bound volume at a place where his plump forefinger had been thrust between the leaves to mark the place for him, and in his high, thin voice he read through the service for the dead, with its promise of the divine forgiveness. When he had reached the end of it he put the book aside, and spoke to them in the fair and grammatical English that usually he reserved for his utterances from the bench in open court: “Our sister who lies here asked with almost her last conscious breath that at her funeral a sermon should be preached. Upon me, who never before attempted such an undertaking, devolves the privilege of speaking a few words above her. I had thought to take for my text the words: 'He that is without sin among you, let him first cast a stone at her.'