Kentucky -- Social life and customs -- Fiction; Short stories, American
In this emergency the local committee on arrangements secured for the
convention the use of the new Marshallville opera house, which was the
pride of Marshallville--a compact but ornate structure having on its
first floor no less than one hundred and fifty of those regular theatre
chairs magnificently upholstered in hot red plush, and above, at the
back, a balcony, and to crown all, two orthodox stage boxes of
stucco, liberally embossed with gold paint, which clung, like gilded
mud-daubers' nests, at either side of the proscenium arch, overhanging
the stage below.
In one of these boxes, as the delegates gathered that very warm August
afternoon, a lady sat in solitary state. To the delegates were assigned
the plush-enveloped grandeurs of the main floor. The spectators,
including a large number of the male citizens of Marshallville with
a sprinkling of their women-folk, packed the balcony to the stifling
point, but this lady had a whole box to herself. She seemed fairly well
pleased with herself as she sat there. Certainly she had no cause to
complain of a lack of public interest in her and her costume. To begin
with, there was a much beplumed hat, indubitably a thing of great cost
and of augmented size, which effectively shaded and set off her plump
face. No such hat had been seen in Marshallville before that day.
The gown she wore was likewise of a fashion new to the dazzled gaze
of her more plainly habited sisters in the balcony. I believe in the
favoured land where they originated they call them princesse gowns. Be
its name what it may, this garment ran in long, well-nigh un wrinkled
lines from the throat of its wearer to her ankles.
It was of some clinging white stuff, modelled seemingly with an intent
to expose rather than to hide the curves of the rounded figure which it
covered. It was close at the neck, snug at the bust, snugger still at
the hips, and from there it flowed on tightly yet smoothly to where it
ended, above a pair of high-heeled, big-buckled slippers of an amazing
shininess. The uninitiated might well have marvelled how the lady ever
got in her gown unless she had been melted and poured into it; but there
was no mystery concerning the manner in which she had fastened it, once
she was inside of it, for, when she turned away from the audience, a
wondrously decorative finishing touch was to be seen: straight down the
middle of her back coursed a close row of big, shiny black jet buttons,
and when she shifted her shoulders these buttons undulated glisteningly
along the line of her spinal column. The effect was snaky but striking.
Public-domain text, read in full here on John Shaqi.
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