Dr. Dunlap muttered a combination of explosive words which he had
probably picked up from sailors, making the churchman cross himself. He
spoke out, with a reckless laugh:--
"I married as soon as I came of age, and here I am, ruined for my prime
by that act."
"What!" exclaimed Father Baby, setting his hands on his hips, "you a man
of family, and playing bachelor among the women of Kaskaskia?"
"Oh, I have no wife now. She finally died, thank Heaven. If she had only
died a year sooner! But nothing matters now."
"My son," observed Father Baby severely, "Satan has you in his net. You
utter profane words, you rail against institutions sanctioned by the
Church, and you have desired the death of a human being. Repent and do
penance"--
"You have a customer, friar," sneered the young man, lifting his head to
glance aside at a figure entering the shop. "Vigo's idiot slave boy is
waiting to be cheated."
"By my cappo!" whispered Father Baby, a cunning look netting wrinkles
over his lean face, "you remind me of the bad shilling I have laid by me
to pass on that nigger. O Lamb of mercy,"--he turned and hastily plumped
on his knees before a sacred picture on the wall,--"I will, in expiation
for passing that shilling, say twelve paters and twelve aves at the foot
of the altar of thy Virgin Mother, or I will abstain from food a whole
day in thy honor."
Having offered this compromise, Father Baby sprung with a cheerful
eagerness to deal with Vigo's slave boy.
The doctor sat still, his ears closed to the chatter in the shop. His
bitter thoughts centred on the new arrival in Kaskaskia, on her brother,
on all her family.
She herself, unconscious that he inhabited the same hemisphere with her,
was standing up for the reel in Pierre Menard's house. The last carriage
had driven to the tall flight of entrance steps, discharged its load,
and parted with its horses to the huge stone stable under the house. The
mingling languages of an English and French society sounded all around
her. The girl felt bewildered, as if she had crossed ocean and forest to
find, instead of savage wilderness, an enchanted English county full of
French country estates. Names and dignitaries crowded her memory.
A great clear glass, gilt-framed and divided into three panels, stood
over the drawing-room mantel. It reflected crowds of animated faces, as
the dance began, crossing and recrossing or running the reel in a vista
of rooms, the fan-lights around the hall door and its open leaves
disclosing the broad gallery and the dusky world of trees outside; it
reflected cluster on cluster of wax-lights. To this day the great glass
stands there, and, spotless as a clear conscience, waits upon the
future. It has held the image of Lafayette and many an historic
companion of his.
Public-domain text, read in full here on John Shaqi.
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