Mademoiselle Saucier's smile excused anything Peggy might say. Maria
thought this French girl the most beautiful woman she had ever seen. The
waist of her clinging white gown ended under the curve of her girlish
breasts, and face, neck, and arms blossomed out with the polish of
flower-petals. Around her throat she wore gold beads suspending a cross.
Her dark hair, which had an elusive bluish mist, like grapes, was pinned
high with a gold comb. Her oval face was full of a mature sympathy
unusual in girls. Maria had thought at first she would rather be alone
on the gallery, but this reposeful and tender French girl at once became
a necessity to her.
"Peggy," said Angelique, "I hear Jules Vigo inquiring for you in the
hall."
"Then I shall take to the roof," responded Peggy.
"Have some regard for Jules."
"You may have, but I shan't. I will not dance with a kangaroo."
"Do you not promise dances ahead?" inquired Maria.
"No, our mothers do not permit that," answered Angelique. "It is
sometimes best to sit still and look on."
"That means, Miss Jones," explained Peggy, "that she has set a fashion
to give the rest of the girls a chance. I wouldn't be so mealy-mouthed
about cutting them out. But Angelique has been ruined by waiting so much
on her tante-gra'mere. When you bear an old woman's temper from dawn
till dusk, you soon forget you're a girl in your teens."
"Don't abuse the little tante-gra'mere."
"She gets praise enough at our house. Mother says she's a discipline
that keeps Angelique from growing vain. Thank Heaven, we don't need such
discipline in our family."
"It is my father's grand-aunt," explained Angelique to Maria, "and when
you see her, mademoiselle, you will be surprised to find how well she
bears her hundred years, though she has not been out of her bed since I
can remember. Mademoiselle, I hope I never shall be very old."
Maria gave Angelique the piercing stare which unconsciously belongs to
large black eyes set in a hectic, nervous face.
"Would you die now?"
"I feel always," said the French girl, "that we stand facing the mystery
every minute, and sometimes I should like to know it."
"Now hear that," said Peggy. "I'm no Catholic, but I will say for the
mother superior that she never put that in your head at the convent. It
is wicked to say you want to die."
"But I did not say it. The mystery of being without any body,--that is
what I want to know. It is good to meditate on death."
"It isn't comfortable," said Peggy. "It makes me have chills down my
back."
Public-domain text, read in full here on John Shaqi.
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