The younger Morgans, who were a hearty, jolly race, used to laugh at
George. Poor boy, he had already begun to knock his head, young as it
was, against stone walls; his schoolfellows said he had cracked it with
his paradoxes. At twelve he was a stout fellow for his age, looking
older than he really was. He was slow and clumsy, he had a sallow
complexion, winking blue eyes, a turn-up nose, and heavy dark eyebrows;
there was something honest and almost pathetic at times in the glance of
these blue eyes, but he usually kept them down from shyness as well as
from vanity, he didn't dare look in people's faces, he thought he should
see them laughing at him. He was very lazy, as sensitive people often
are; he hated games and active amusements; he had a soft melancholy
voice that was his one endowment, besides his gift for music; he could
work when he chose, but he was beginning life in despair with it, and he
was not popular among his companions; they called him conceited, and
they were right; but it was a melancholy conceit, if they had but known
it. The truth was, however, that he was too ugly, too clever, too clumsy
to get on with boys of a simpler and wholesomer mind. Even John Morgan,
his friend and preceptor, used to be puzzled about him and distressed at
times. 'If George Vanborough were only more like his own brothers, there
would be something to be done with him,' thought honest John as those
young gentlemen's bullet-heads passed the window where the pupil and his
preceptor were at work. If only--there would be a strange monotony in
human nature, I fancy, if all the 'if onlys' could be realised, and we
had the moulding of one another, and pastors and masters could turn
assenting pupils out by the gross like the little chalk rabbits Italian
boys carry about for sale.
Dolly was very well contented with her brother just as he was. She
trusted his affection, respected his cleverness, and instinctively
guessed at his vanities and morbidities. Even when she was quite a
child, Dolly, in her sweet downright way, seemed to have the gift of
healing the wounds of her poor St. Sebastian, who, when he was a little
boy, would come home day after day smarting and bleeding with the arrows
of his tormentors. These used to be, alternately, Lady Sarah herself,
Cassie Morgan, and Zoe, the two boys when they were at home for the
holidays, and little Rhoda, whom he declared to be the most malicious of
them all. The person who treated George with most sympathy and
confidence was Mrs. Morgan, that active and garrulous old lady, to whom
anybody was dear who would listen to the praises of her children.
Public-domain text, read in full here on John Shaqi.
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