Rhoda was not strong, like Cassie and Zoe. She was often tired, as she
sat there in the window-corner. She could not always touch the huge
smoking heaps that came to table. When all the knives and forks and
voices clattered together, they seemed to go through her head. The bells
and laughter made her start. She would nervously listen for the boys'
feet clattering down the stairs. At Church House there was a fresh
silence. You could hear the birds chirruping in the garden all the time
Lady Sarah was reading aloud. There were low comfortable seats covered
with faded old chintz and tapestry. There were Court ladies hanging on
the walls. One wore a pearl necklace; she had dark bright eyes, and
Rhoda used to look at her, and think her like herself, and wonder. There
were books to read and times to read them at Church House, and there was
Dolly always thinking how to give Rhoda pleasure. If she exacted a
certain fealty and obedience from the little maiden, her rule was
different from Aunt Morgan's. Dolly had no sheets to sew, no dusty
cupboards to put straight, no horrible boys' shirts to front or socks to
darn and darn and darn, while their owners were disporting themselves
out of doors, and making fresh work for the poor little Danaides at
home.
To Dolly, Old Street seemed a delightful place. She never could
understand why Rhoda was so unhappy there. It seemed to Dolly only too
delightful, for George was for ever going there when he was at home. The
stillness of Church House, its tranquil order and cheerful depression,
used to weary the boy; perhaps it was natural enough. Unless, as Rhoda
was, they are constitutionally delicate, boys and girls don't want to
bask all day long like jelly-fish in a sunny calm; they want to tire
themselves, to try their lungs; noise and disorder are to them like
light and air, wholesome tonics with which they brace themselves for the
coming struggles of life. Later in life there are sometimes quite old
girls and boys whose vitality cannot be repressed. They go up mountains
and drive steam-engines. They cry out in print, since it would no longer
be seemly for them to shriek at the pitch of their voices, or to set off
running, violently, or to leap high in the air.
'The Morgans' certainly meant plenty of noise and cheerful clatter, the
short tramp of schoolboy feet, huge smoking dishes liberally dispensed.
John Morgan would rush in pale, breathless, and over-worked; in a limp
white neckcloth as befitted his calling, he would utter a breathless
blessing on the food, and begin hastily to dispense the smoking heap
before him.
'Take care, John, dear,' cries Mrs. Morgan.
'What? where?' says John. 'Why, George! come to lunch? Just in time.'
Public-domain text, read in full here on John Shaqi.
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