Next day Dolly wakes up crying for her papa. It is not the ship any more. Everything is quite still, and her crib does not rock up and down. 'I sought he would be here,' said poor little Dolly, in a croaking, waking voice, sitting up with crumpled curls and bright warm cheeks. It is not her papa, but Aunt Sarah, who takes her up and kisses her, and tries to comfort her, while the ayah, Nun Comee, who has been lying on the floor, jumps up and dances in her flowing white garment and snaps her black fingers, and George brings three tops to spin all at once. Dolly is interested, and ceases crying and begins to smile and to show all her little white teeth. Lady Sarah rarely smiled. She used to frown so as not to show what she felt. But Dolly from the first day had seemed to understand her; she was never afraid of her; and she used to jump on her knee and make her welcome to the nursery. '_Is_ you very pretty?' said little Dolly one day, looking at the grim face with the long nose and pinched lips. 'I think you is a very ugly aunt.' And she smiled up in the ugly aunt's face. 'O Dolly! how naughty!' said Rhoda, who happened to be in Dolly's nursery. Rhoda was a little waif _protegee_, of Lady Sarah's. She came from the curate's home close by, and was often sent in to play with Dolly, who would be lonely, her aunt thought, without a companion of her own age; Rhoda was Mr. Morgan's niece, and a timid little thing; she was very much afraid at first of Dolly; so she was of the ayah, with her brown face and earrings and monkey hands; but soon the ayah went back to India with silver pins in her ears, taking back many messages to the poor child-bereft parents, with a pair of Dolly's shoes, as a remembrance, and a couple of dolls for herself as a token of good-will from her young mistress. They were for her brothers, Nun Comee said, but it was supposed that she intended to worship them on her return to her native land. The ayah being gone, little Rhoda soon ceased to be afraid of Dolly, the kind, merry, helpful little playmate, who remained behind, frisking along the passages and up and down the landing-places of Church House. She was much nicer, Rhoda thought, than her own real cousins the Morgans in Old Street. As days go by, Dolly's pictures warm and brighten from early spring into summer-time. By degrees they reach above the table and over and beyond the garden roller. They are chiefly of the old garden, whose brick walls seem to enclose sunshine and gaudy flowers all the summer through; of the great Kensington parks, where in due season chestnuts are to be found shining among the leaves and dry grasses; of the pond, where the ducks are flapping and diving; of the house, which was little Rhoda's home. This was the great bare house in Old Street, with plenty of noise, dried herbs, content, children without end, and thick bread-and-butter. There was also cold stalled ox on Sundays at one.