Long Island (N.Y.) -- Fiction; Older people -- Fiction; Poor -- Fiction
OLD LADY NUMBER 31
BY LOUISE FORSSLUND
AUTHOR OF "THE STORY OF SARAH," "THE SHIP OF DREAMS," ETC.
1909
TO MY MOTHER
CONTENTS
I. THE TEA-TABLE
II. "GOOD-BY"
III. THE CANDIDATE
IV. ONE OF THEM
V. THE HEAD OF THE CORNER
VI. INDIAN SUMMER
VII. OLD LETTERS AND NEW
VIII. THE ANNIVERSARY
IX. A WINTER BUTTERFLY
X. THE TURN OF THE TIDE
XI. MENTAL TREATMENT
XII. "A PASSEL OF MEDDLERS"
XIII. THE PRODIGAL'S DEPARTURE
XIV. CUTTING THE APRON-STRINGS
XV. THE "HARDENING" PROCESS
XVI. "A REG'LAR HOSS"
XVII. THE DESERTER
XVIII. SAMUEL'S WELCOME
XIX. EXCHANGING THE OLIVE-BRANCH
XX. THE FATTED CALF
XXI. "OUR BELOVED BROTHER"
I
THE TEA-TABLE
Angeline's slender, wiry form and small, glossy gray head bent over the
squat brown tea-pot as she shook out the last bit of leaf from the
canister. The canister was no longer hers, neither the tea-pot, nor even
the battered old pewter spoon with which she tapped the bottom of the
tin to dislodge the last flicker of tea-leaf dust. The three had been
sold at auction that day in response to the auctioneer's inquiry, "What
am I bid for the lot?"
Nothing in the familiar old kitchen was hers, Angeline reflected, except
Abraham, her aged husband, who was taking his last gentle ride in the
old rocking-chair--the old arm-chair with painted roses blooming as
brilliantly across its back as they had bloomed when the chair was first
purchased forty years ago. Those roses had come to be a source of
perpetual wonder to the old wife, an ever present example.
Neither time nor stress could wilt them in a single leaf. When Abe took
the first mortgage on the house in order to invest in an indefinitely
located Mexican gold-mine, the melodeon dropped one of its keys, but the
roses nodded on with the same old sunny hope; when Abe had to take the
second mortgage and Tenafly Gold became a forbidden topic of
conversation, the minute-hand fell off the parlor clock, but the flowers
on the back of the old chair blossomed on none the less serenely.
The soil grew more and more barren as the years went by; but still the
roses had kept fresh and young, so why, argued Angy, should not she? If
old age and the pinch of poverty had failed to conquer their valiant
spirit, why should she listen to the croaking tale? If they bloomed on
with the same crimson flaunt of color, though the rockers beneath them
had grown warped and the body of the chair creaked and groaned every
time one ventured to sit in it, why should she not ignore the stiffness
which the years seemed to bring to her joints, the complaints which her
body threatened every now and again to utter, and fare on herself, a
hardy perennial bravely facing life's winter-time?
Public-domain text, read in full here on John Shaqi.
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