Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured FrontispieceTuer, Andrew White
History
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece
Tuer, Andrew White
Cries -- England -- London
This fair was granted by Henry the 1st, to one Rahere, a witty and
pleasant gentleman of his Court, in aid and for the support of an
Hospital, Priory, and Church, dedicated to St. Bartholomew, which
he built in repentance of his former profligacy and folly. The
succeeding Priors claimed, by certain Charters, to have a Fair
every year, during three days: viz., on the Eve, the Day, and on
the Morrow of St. Bartholomew. At this period the Clothiers of
England, and drapers of London, kept their Booths and Standings
there, and a Court of Piepouder was held daily for the settlement
of all Debts and Contracts. About the year 1721, when the present
interesting View of this popular Fair was taken, the Drama was
considered of some importance, and a series of minor although
regular Pieces were acted in its various Booths. At Lee and
Harper's the Siege of Berthulia is performing, in which is
introduced the Tragedy of Holifernis. Persons of Rank were also its
occasional visitors, and the figure on the right is supposed to be
that of Sir Robert Walpole, then Prime Minister. Fawkes, the famous
conjuror, forms a conspicuous feature, and is the only portrait of
him known to exist. The remaining amusements are not unlike those
of our day, except in the articles of Hollands and Gin, with which
the lower orders were then accustomed to indulge, unfettered by
licence or excise."
Amongst the numerous figures represented on the fan mount, but not
mentioned by its publisher, Mr. Setchel, is that of the crier of apples,
whose basket is piled high with tempting fruit. Another woman has charge
of a barrow laden with pears as big as pumpkins; and a couple of
oyster-women, whose wares are on the same gigantic scale, are evidently
engaged in a hot wrangle. Although foreign to our subject, it may be
mentioned that the statement as to the portrait of Fawkes the conjuror
being the only one known, is incorrect.
Let not the ballad singer's shrilling strain
Amid the swarm thy listening ear detain:
Guard well thy pocket, for these syrens stand
To aid the labours of the diving hand;
[Illustration:
"_Ye maidens and men, come for what you lack,_
_And buy the fair Ballads I have in my pack._"
--Pedlar's Lamentation.
]
Confederate in the cheat, they draw the throng,
And Cambric handkerchiefs reward the song.
A state of things very graphically delineated in another print of
"Barthelemew Fair" (1739), where a ballad singer is roaring out a
_caveat against cut purses_ whilst a pick-pocket is operating on one of
his audience.
The old cry of "Marking Irons" has died out. The letters were cast in
iron, and sets of initials were made up and securely fixed in
long-handled iron boxes. The marking irons were heated and impressed as
a proof of ownership.
Public-domain text, read in full here on John Shaqi.
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