Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured FrontispieceTuer, Andrew White
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Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece
Tuer, Andrew White
Cries -- England -- London
[Illustration: "_Fresh Cabbidge!_"]
Bill Sykes the costermonger, or "costard"-monger, as he was originally
called from his trade of selling apples, now flourishes under
difficulties. What with the envious complaints of the small shopkeepers
whom he undersells, and the supercilious rebuffs of the policeman who
keeps him dodging about and always "on the move," Bill has a hard time
of it indeed. Yet he is distinctly a benefactor to the poorer portion of
humanity. He changes his cry with the stock on his barrow. He will
invest one day in pine-apples, when there is a glut of them--perhaps a
little over-ripe--in Pudding Lane; and in stentorian voice will then
make known his willingness to exchange slices for a halfpenny each, or
a whole one for sixpence. On other days it may be apples, or oranges,
fish, vegetables, photographs, or even tortoises; the latter being
popularly supposed to earn a free, if uncomfortable, passage to this
country in homeward-bound ships as wedges to keep the cargo from
shifting in the hold. It is not often that goods intended for the
thriving shopkeeper find their way to the barrow of the costermonger.
Some time ago amber-tipped cherry or briar-wood pipes were freely
offered and as freely bought in the streets at a penny each. Suddenly
the supply stopped; for the unfortunate wholesale dealer in Houndsditch,
who might have known better, had mistaken "dozen" for "gross" in his
advice; and at 6_s._ 6_d._ per gross the pipes could readily be retailed
for a penny each; whereas at the cost price of 6_s._ 6_d._ a dozen, one
shilling ought to have been asked. It seems that not only did the
importer imagine that the amber mouthpieces were imitation, but Bill
Sykes also thought he was "doing" the public when he announced them as
real.
Public-domain text, read in full here on John Shaqi.
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