Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured FrontispieceTuer, Andrew White
History
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece
Tuer, Andrew White
Cries -- England -- London
Since Lydgate's time the cries of London have been a stock subject for
ballads and children's books, of which, in various forms, some hundreds
must have appeared within the last two centuries. The cuts, unless from
the hand of a Rowlandson or a Cruikshank, are usually of the mechanical
order; and one finds copies of the same illustrations, though
differently treated, constantly reappearing.
In the books there is usually a cut on each page, with a cry printed
above or underneath, and in addition a verse of descriptive poetry,
which, if not of the highest order, serves its purpose.
With his machine and ass to help
To draw the frame along,
Pray mark the razor-grinder's yelp
The burden of his song.
His patched umbrella quick aloft
He mounts if skies should lower,
Then laughing whirls his wheel full oft,
Nor heeds the falling shower.
A well-known collection is that entitled "Habits & Cryes of the City of
London, drawne after the Life; P. [Pearce] Tempest, excudit," containing
seventy-four plates, drawn by Marcellus Laroon [Lauron], and republished
in 1711. The first edition, with only fifty illustrations, had appeared
some three-and-twenty years earlier; and many of the copper-plates in
the later issue were so altered as to bring the costume into the
fashion of the time of republication. The hats had their high crowns cut
down into low; and shoe-buckles were substituted for laces. Otherwise
the plates,--with the exception of some of the faces, which were
entirely re-engraved,--were left in their original condition.[4] The
letter-press descriptions are in English, French, and Italian. The
engraver, Marcellus Lauron, or Captain Laroon, who was born in London,
has left on record that his family name was Lauron, but being always
called Laroon, he adopted that spelling in early life. Of the
seventy-four plates, those representing eccentric characters, etc., are
omitted from the list that follows:--
Any Card Matches or Save Alls?
Pretty Maids, Pretty Pins, Pretty Women!
"I remember," says Hone, "that pins were disposed of in this
manner, in the streets by women. Their cry was a musical distich:--
'Three Rows a Penny pins,
Short, Whites, and Mid-dl-ings!'"
Ripe Strawberryes!
[Illustration: "_Three Rows a Penny pins!_"]
A Bed Matt [mat] or a Door Matt!
Buy a fine Table Basket?
Ha, ha, Poor Jack!
Can hardly be called a London cry: the call of a well-known
character, who, accompanied by his wife, sold fish.
Buy my Dish of great Eeles?
[Illustration: "_Buy a fine Singing Bird?_"]
Buy a fine singing Bird?
Buy any wax or wafers?
Fine Writeing Ink!
A Right Merry Song!
Old Shoes for some Broomes!
Hott baked Wardens [stewed pears] Hott!
Small Coale!
Swift mentions this cry in his "Morning in Town."
"The Small Coal Man was heard with cadence deep
Till drowned in shriller notes of 'Chimney Sweep.'"
Public-domain text, read in full here on John Shaqi.
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