Old Man Curry: Race Track StoriesVan Loan, Charles E. (Charles Emmett)
General
Old Man Curry: Race Track Stories
Van Loan, Charles E. (Charles Emmett)
Horse racing -- Fiction
Exactly twenty-four hours later the Bald-faced Kid, peering across
the track to the back stretch, saw Old Man Curry lead a black horse
to the quarter pole, exchange a few words with Mose, adjust the bit,
and stand aside.
"What's that one, Kid?" The question was asked by Shine McManus, a
professional clocker employed by a bookmaker to time the various
workouts and make a report on them at noon.
"That's Jeremiah," said the Kid. "The old man hasn't worked him much
lately."
"Good reason why," said Shine. "I wouldn't work a horse either if he
bled every time he got out of a walk! There he goes!"
Jeremiah went to the half pole like the wind, slacked somewhat on the
upper turn, and floundered heavily into the stretch.
"Bleeding, ain't he?" asked Shine.
"He acts like it--yes, you can see it now."
As Jeremiah neared the paddock he stopped to a choppy gallop, and the
railbirds saw that blood was streaming from both nostrils and
trickling from his mouth.
"Ain't that sickening? You wouldn't think that Old Man Curry would
abuse a horse like that!"
The Bald-faced Kid went valiantly to the defence of his aged friend.
He would criticise Old Man Curry if he saw fit, but no one else had
that privilege.
"Aw, where do you get that abusing-a-horse stuff! It don't really
_hurt_ a horse any more'n it would hurt you to have a good nosebleed.
It just chokes him up so't he can't get his breath, and he quits,
that's all."
"Yes, but it looks bad, and it's a shame to start a horse in that
condition."
The argument waxed long and loud, and in the end the Kid was
vanquished, borne down by superior numbers. The popular verdict was
that Old Man Curry ought to be ashamed of himself for owning and
starting a confirmed bleeder like Jeremiah.
On get-away day the speculative soul whose financial operations show
a loss makes a determined effort to plunge a red-ink balance into a
black one. On get-away day the honest owner has doubts and the
dishonest owner has fears. On get-away day the bookmaker wears deep
creases in his brow, for few horses are "laid up" with him, and he
wonders which dead one will come to life. On get-away day the tout
redoubles his activities, hoping to be far away before his victims
awake to a sense of injury. On get-away day the program boy bawls his
loudest and the hot-dog purveyor pushes his fragrant wares with the
utmost energy. On get-away day the judges are more than usually
alert, scenting outward indications of a "job." On get-away day the
betting ring boils and seethes and bubbles; the prices are short and
arguments are long; strange stories are current and disquieting
rumours hang in the very air.
"Now, if ever!" is the motto.
"Shoot 'em in the back and run!" is the spirit of the day, reduced to
words.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account