plunge it in, and cleave the ripe morsel from breast to back. Panoukian had been cooked by his own actions: he deserved the knife and the crunch of teeth. Old Mole, like many another good man wronged, felt ogreish. . . . He began in his head (and with the aid of the wine in his head) to compose letters to Panoukian, commencing "Sir" or "Dear Sir," or, without approach, plunging into such a sentence as: "No matter how public the place, or how painful to myself, I shall, when I next meet you, be obliged to thrash you." And he gloated over the thoughts of thrashing Panoukian: mentally chose the stick, a whippy cane; the fleshy portion of Panoukian's anatomy under the tails of his too-much-waisted coat. He rejoiced in the scene. It might be in the House, under the eyes of all the Harbottles: or, better still, in the Temple before the grinning porters. He was brought to himself by a crash and a tinkle. He had waved his fork in the air and knocked over his last glass of claret. The head waiter concealed his annoyance in fatherly solicitude and professional business, and suggested another half-bottle. Weakly Old Mole consented, and while he was waiting, after collecting his thoughts, found that they had left Panoukian and come to Matilda. Her image was blurred: his love had become sorrow and a creeping torment, and the torment was Matilda, the blood in his veins, inseparable from himself. And because she was inseparable Panoukian became so, too. There could be no gain in thrashing Panoukian: that was just blustering nonsense; "defending his honor" was the phrase. Idiots! He looked round at the other diners. What was the good of defending that which was lost? What was there to defend? You might as well ask a sea captain whose ship had been blown up by a mine why on earth he did not use his guns. . . . Further, honor was a word for which he could find no precise meaning. It was much in vogue in the theater, from Copas to Butcher. A woman's honor apparently meant her chastity. A man's honor, in some very complicated way, seemed to be bound up in the preservation of woman's, as though she herself were to have no say in the matter. No; honor would not do: it was only a red herring trailed across the scent. Next came the cause of morality, which demanded the punishment of offenders. To his consternation he found himself thinking of the affair impersonally, pharisaically, inhumanly, detaching himself from Matilda, thrusting her violently away, giving her a dig or two with the goad of self-righteousness, and swelling at the neck with conscious rectitude. Why? . . . She must suffer for her sins.