Natural history -- Massachusetts; Natural history -- Outdoor books; Plymouth County (Mass.)
Twigs rapped one upon another, making little crisp sounds. Most
surprising of all, however, was a tinkling tattoo of musical notes
as if a dryad within were tapping out woodland melodies on a
xylophone. I listened long to this. It was not exactly a
comfortable position. To hear I must press, and the tree bark was
hard and the rain ran down the trunk and into my ear. Yet the
music was exquisite, a little runic rhyme, repeated over and over
again with quaint variations but with neither beginning nor end.
It was wonderfully wild and fairylike. Who would stop for water in
his ear or a pain in the lobe of it? Midnight, the middle of the
gale, the middle of the woods; perhaps here was that very opening
into the realm of the unseen woodland folk that we all in our
inmost hearts hope for and expect some day to find.
So did he feel who pulled the boughs aside,
That we might look into the forest wide.
*****
Telling us how fair trembling Syrinx fled
Arcadian Pan, with such a fearful dread.
Poor nymph--poor Pan--how he did weep to find
Naught but a lovely sighing of the wind
Along the reedy stream; a half heard strain,
Full of sweet desolation, balmy pain.
It may have been the dryad, playing the xylophone for a dance
unseen by my gross mortal eyes, but if my water-logged ear did not
deceive me--and I hope it did--it was only the beat of the big
drops of rain on the twigs above, clarified and made resonant by
its passage through the vibrant wood to my ear. At any rate, it
was a most delightful musical entertainment of which I fancy
myself the discoverer, and I hope it was the dryad. He who reads
may believe as he will.
Beyond the pines I found the wind in the woods. Among the bare
limbs of the deciduous growth the storm wailed and clattered its
way on about my head as I felt out the path with my feet for a
half mile to a pine-crowned hilltop. Again I was in sanctuary. The
hilltop carried us up--the pines and me--into the full sweep
of the gale, yet under their spreading, beneficent arms I felt no
breath of wind. Overhead I noted its own wild voice as, very near
and right with it in chorus, the pines sang, swaying in time to
their music as I have seen a rapt singer do. Strangely enough, in
their tones up here I could hear no cry of the sea. They sang
instead the tumult of the sky, the vast loneliness of distant
spaces, something of the deep-toned threnody of the ancient
universe, mourning for worlds now dark.
Public-domain text, read in full here on John Shaqi.
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