Old Portraits and Modern Sketches: Part 1 from Volume VI of The Works of John Greenleaf Whittier — John Shaqi
Old Portraits and Modern Sketches: Part 1 from Volume VI of The Works of John Greenleaf WhittierWhittier, John Greenleaf
History
Old Portraits and Modern Sketches: Part 1 from Volume VI of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
Biography
"I continued," he says, "my visits to my best-beloved Friend until we
married, which was on the 28th day of the eighth month, 1669. We took
each other in a select meeting of the ancient and grave Friends of that
country. A very solemn meeting it was, and in a weighty frame of spirit
we were." His wife seems to have had some estate; and Ellwood, with that
nice sense of justice which marked all his actions, immediately made his
will, securing to her, in case of his decease, all her own goods and
moneys, as well as all that he had himself acquired before marriage.
"Which," he tells, "was indeed but little, yet, by all that little, more
than I had ever given her ground to expect with me." His father, who was
yet unreconciled to the son's religious views, found fault with his
marriage, on the ground that it was unlawful and unsanctioned by priest
or liturgy, and consequently refused to render him any pecuniary
assistance. Yet, in spite of this and other trials, he seems to have
preserved his serenity of spirit. After an unpleasant interview with his
father, on one occasion, he wrote, at his lodgings in an inn, in London,
what be calls _A Song of Praise_. An extract from it will serve to show
the spirit of the good man in affliction:--
"Unto the Glory of Thy Holy Name,
Eternal God! whom I both love and fear,
I hereby do declare, I never came
Before Thy throne, and found Thee loath to hear,
But always ready with an open ear;
And, though sometimes Thou seem'st Thy face to hide,
As one that had withdrawn his love from me,
'T is that my faith may to the full, be tried,
And that I thereby may the better see
How weak I am when not upheld by Thee!"
Public-domain text, read in full here on John Shaqi.
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